Style
Shag/High Pile
Every piece in this style, across all of our collections. Narrow them down by size and price.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
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Stories from the Shag/High Pile Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
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The Complete Guide to Oushak Rugs: History, Aesthetic Language, and Contemporary Design Use
Oushak rugs, also spelled Uşak or Ushak, stand among the most influential textile traditions in the history of interior design. Originating in western Anatolia, in the historic weaving town of Uşak in present-day Turkey, these carpets are not merely decorative artifacts; they are architectural design elements, cultural documents, and artistic statements that have shaped interior aesthetics across centuries. From Ottoman imperial courts to Renaissance European palaces and today’s luxury residential, hospitality, and gallery spaces, Oushak rugs continue to define a visual language of soft geometry, spacious design, muted tonal harmony, and painterly abstraction. Their enduring relevance places them at the intersection of art history, textile heritage, and contemporary interior design innovation.
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The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
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Ege Rya Rugs & Verner Panton’s Abstract Modernist Style
Ege Ryas are an important part of Scandinavian design. Like the Rya rugs of the 15th century, Ege ryas carry a high pile. This was mainly to keep people warm during the hostile cold weather. These rugs were usually small in size and machine made. While the vintage ege ryas were quite similar to other Nordic rugs in their shag/high pile texture, it’s interesting to note that their patterns were funky - unlike the clean, soothing, refreshing vibe that most Scandinavian rugs feature. This union of traditional texture and bold patterns redefined Swedish aesthetics in the mid 20th century and became a driving force behind most modern sense of abstract that we know today.
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A Love Letter to High-Pile Rugs: Shag, Shabby-Chic and Everything In-Between
A Shag/High Pile rug is easy to recognize. That's one of many beauties in both styles; their distinction from other rugs. There's a subtle difference between the terms, though, and the many gorgeous styles they comprise. High-pile rugs include any rug with a 1/2"-3/4" pile height (which measures the fibers on the rug's surface, or "nap"). Shag rugs, meanwhile, have similar or longer fibers, and in some cases their pile goes beyond the borders. It's much easier to see the difference and admire it, though, as it's more about the feeling and presence that dictates the difference. Many in our field believe shag rugs are the oldest hand-knotted rugs and carpets. Thick rugs were a notable source of bedding and comfort in tribal cultures all over the world, after all. Greek Flokati rugs are the oldest shag rug known (as early as 700 B.C.), and were made from goat hair for warmth. Moroccan rugs are a younger provenance since the Berber matriarchs began the practice circa 622 A.D., but they're one of the most widely recognized high-pile rug styles today.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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