Antique Rugs
Antique rugs have been on the resume of Josh Nazmiyal since he began in the industry almost 40 years ago when he was already recognized for one of the largest oriental rug collections in the United States. Each piece in the internationally recognized volume was hand-picked for rarity, and of course, aesthetic and beauty, now complementing one of the widest varieties of Persian rug and Turkish rug collections with the utmost attention to individuality and care. Because of Josh’s position in the wholesale rug industry, he’s been responsible for promoting a number of collections throughout history, from breathtaking signature Tabriz, Sultanabad, Kerman Lavar, Agra, and Oushak classics to the more unsung jewels of the luxury industry.
Rug & Kilim maintains our own facilities for cleaning and restoration exclusively for carpets we’ve sold to ensure their lasting beauty and care long after a piece leaves our collection.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
- Indian
- Persian
- Turkish
- European
- Caucasus
- East Asia
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Stories from the Antique Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
Read the FeatureThe Complete Guide to Oushak Rugs: History, Aesthetic Language, and Contemporary Design Use
Oushak rugs, also spelled Uşak or Ushak, stand among the most influential textile traditions in the history of interior design. Originating in western Anatolia, in the historic weaving town of Uşak in present-day Turkey, these carpets are not merely decorative artifacts; they are architectural design elements, cultural documents, and artistic statements that have shaped interior aesthetics across centuries. From Ottoman imperial courts to Renaissance European palaces and today’s luxury residential, hospitality, and gallery spaces, Oushak rugs continue to define a visual language of soft geometry, spacious design, muted tonal harmony, and painterly abstraction. Their enduring relevance places them at the intersection of art history, textile heritage, and contemporary interior design innovation.
Read the FeatureProvenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
Read the FeatureEvery Great Collector Owns a Library: On Books, Rugs, and the Knowledge That Connects Them
There has always been a quiet kinship between the rug and the book. Both are objects one lives with rather than merely owns. Both reward the patient return, disclosing more on the tenth encounter than the first. Both are, at their finest, repositories of a civilization's memory; the one held in language, the other in wool. It should surprise no one that the greatest collectors of carpets have almost always been, in the same breath, collectors of the books that explain them. J. Paul Getty kept a scholar's library beside his objects. The Rothschilds, whose carpets now rest in Doha and whose names still move a saleroom, understood a collection as a thing to be studied as much as displayed. To acquire seriously has always meant to read seriously.
Read the FeatureOn the Changing Nature of Money, and a Quiet Shift in How the World’s Great Collections Are Built
As seen in Milieu Magazine’s Summer 2025 Issue, designed by Studio Meghan Eisenbergh, features an antique Amritsar rug from Rug & Kilim’s collection.View More >> Something has changed in the psychology of collecting, and it has changed quietly. For most of the modern era, the serious collector acquired for love, for scholarship, for the pleasure of living with beautiful things, and the question of value, while never absent, sat politely in the background. That arrangement has quietly inverted. Across the last two years, industry surveys have recorded a striking figure: the share of high-net-worth collectors intending to sell from their holdings has fallen from more than half to roughly a quarter. The collector of this moment is not looking to liquidate. They are looking to hold. And they are increasingly treating the objects they acquire not as expenditures but as architecture, as a considered, diversified structure of wealth that also happens to be beautiful.
Read the FeatureLeo and Greti Wollner and the Vienna Carpet Inheritance
There is a particular authority that attaches to an object when one can trace its maker's hand, teacher by teacher, back to a single revolutionary moment, and in the case of Leo and Gretl Wollner, that moment is the Wiener Werkstätte. To own a Wollner carpet is to hold the last living end of a thread that runs directly to Josef Hoffmann, to Koloman Moser, to the Vienna of 1903 that resolved, against the whole weight of European convention, that there should be no hierarchy dividing the fine arts from the applied ones. A painting and a carpet were to be judged by the same measure. A century later, the Wollners are among the very last to have been taught that creed by the people who founded it.
Read the FeatureFAQs
Prayer rugs, designed for personal devotion, typically range from 2'x3' to 4'x6'. Area rugs, the most common category, span from 5'x8' to 9'x12', with slight irregularities in dimensions often adding character to Persian pieces. Runners, intended for corridors and galleries, usually measure 2'6" to 4' in width and can extend up to 30' in length.
Palace carpets, created for grand spaces, frequently exceed 20' in length, with some reaching truly monumental proportions. Oversized rugs, often measuring 15' x 25' or larger, were typically crafted for European mansions or aristocratic residences. Unusual sizes are not uncommon in the antique rug world, with nearly square formats and circular designs occasionally appearing. Fragments of larger carpets, while not original sizes, offer valuable insights into historical weaving techniques
Perhaps most critical is the relationship between collector and dealer. A reputable dealer not only offers access to a wide selection but also brings invaluable expertise and a cultivated eye. The ideal scenario is an alignment of taste and sensibility between dealer and client, ensuring a shared understanding of quality and aesthetics. This synergy is vital because no two rugs are truly alike – each possesses its own history, condition, and character.
The international market for antique rugs is highly nuanced. While many fine pieces circulate within this sphere, the upper echelon – the top 1% of carpets – inhabits a space of true rarity and, often, inestimable value. These pieces, coveted by museums and elite collectors alike, transcend mere market valuations to become priceless artifacts of human artistic achievement.
This technique involves the artful juxtaposition of textures, patterns, and colors. A common approach pairs a larger, more neutral antique rug—perhaps a muted Oushak or stone-washed Persian—with smaller, vibrant pieces like jewel-toned Tabriz or geometric Caucasian rugs. This layering not only adds visual depth but also defines specific areas within a larger space.
The key to successful layering lies in balancing scale, proportion, and color coordination without appearing contrived. The goal is a harmonious composition where each rug complements the others and the surrounding space. We often advise clients to consider the historical and cultural contexts of their rugs, creating combinations that tell stories of trade routes and artistic exchanges. This thoughtful approach elevates a space from merely designed to truly curated, resulting in rooms that are not just visually stunning, but rich in history and personal expression. At Rug & Kilim, we believe that mastering this technique transforms floors into captivating narratives, adding intellectual depth to the aesthetic appeal of any interior.
- Reduces stress on the rug's structure by absorbing impact from foot traffic
- Prevents direct contact with potentially damaging subfloors
- Aids in maintaining the rug's proper shape and prevents folding or buckling
- Enhances air circulation, mitigating moisture-related issues
We place particular emphasis on the often-overlooked element of padding, custom-engineered to provide optimal support and preserve structural integrity. Our restoration services, executed by artisans of the highest caliber, are akin to fine art conservation, ensuring each piece retains its provenance while remaining relevant in contemporary design contexts. At Rug & Kilim, we don't simply maintain rugs; we curate legacies, ensuring these woven masterpieces continue to elevate spaces and narratives for generations to come.
At Rug & Kilim, we don't simply restore; we shepherd textile masterpieces through time, upholding the belief that proper care of fine rugs is a cultural imperative. Our proprietary cleaning methods preserve patina while eliminating deep-seated impurities, and we emphasize preventative measures like custom-cut, high-quality padding to ensure longevity. Collaborating with leading designers, we ensure our restorations not only preserve inherent value but enhance each rug's role in contemporary spaces.
When initiating a focused search, it's often most effective to work exclusively with a trusted dealer. This approach allows for a more targeted effort, leveraging the dealer's network of contacts across international markets. From private collections in Europe to hidden treasures in Central Asia, the right connections can unearth extraordinary finds. The perfect antique rug may not reveal itself immediately, but a dedicated search often yields remarkable results. It's not uncommon for sought-after pieces to emerge from unexpected sources, whether it's a centuries-old Khotan discovered in a Viennese collection or a rare Tabriz in a Parisian gallery.
At Rug & Kilim, we pride ourselves on embodying these principles. Our extensive global network, cultivated over decades, allows us to source exceptional pieces that meet even the most exacting criteria. Our team's deep expertise spans various weaving traditions, enabling us to guide clients through the complexities of the antique rug market. We are committed to not just meeting but exceeding client expectations, often uncovering pieces that our clients didn't even know existed. Our dedication to authenticity, quality, and customer satisfaction has established Rug & Kilim as a trusted name in the world of fine antique rugs.