Antique Rugs
Antique rugs have been on the resume of Josh Nazmiyal since he began in the industry almost 40 years ago when he was already recognized for one of the largest oriental rug collections in the United States. Each piece in the internationally recognized volume was hand-picked for rarity, and of course, aesthetic and beauty, now complementing one of the widest varieties of Persian rug and Turkish rug collections with the utmost attention to individuality and care. Because of Josh’s position in the wholesale rug industry, he’s been responsible for promoting a number of collections throughout history, from breathtaking signature Tabriz, Sultanabad, Kerman Lavar, Agra, and Oushak classics to the more unsung jewels of the luxury industry.
Rug & Kilim maintains our own facilities for cleaning and restoration exclusively for carpets we’ve sold to ensure their lasting beauty and care long after a piece leaves our collection.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
- Indian
- Persian
- Turkish
- European
- Caucasus
- East Asia
Origin ▼
Style ▼
Material ▼
Width
Length
To connect with a specialist, click here
Stories from the Antique Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
On the Changing Nature of Money, and a Quiet Shift in How the World’s Great Collections Are Built
As seen in Milieu Magazine’s Summer 2025 Issue, designed by Studio Meghan Eisenbergh, features an antique Amritsar rug from Rug & Kilim’s collection.View More >> Something has changed in the psychology of collecting, and it has changed quietly. For most of the modern era, the serious collector acquired for love, for scholarship, for the pleasure of living with beautiful things, and the question of value, while never absent, sat politely in the background. That arrangement has quietly inverted. Across the last two years, industry surveys have recorded a striking figure: the share of high-net-worth collectors intending to sell from their holdings has fallen from more than half to roughly a quarter. The collector of this moment is not looking to liquidate. They are looking to hold. And they are increasingly treating the objects they acquire not as expenditures but as architecture, as a considered, diversified structure of wealth that also happens to be beautiful.
Read the FeatureLeo and Greti Wollner and the Vienna Carpet Inheritance
There is a particular authority that attaches to an object when one can trace its maker's hand, teacher by teacher, back to a single revolutionary moment, and in the case of Leo and Gretl Wollner, that moment is the Wiener Werkstätte. To own a Wollner carpet is to hold the last living end of a thread that runs directly to Josef Hoffmann, to Koloman Moser, to the Vienna of 1903 that resolved, against the whole weight of European convention, that there should be no hierarchy dividing the fine arts from the applied ones. A painting and a carpet were to be judged by the same measure. A century later, the Wollners are among the very last to have been taught that creed by the people who founded it.
Read the FeatureChristian Bérard, Jean-Michel Frank, and the Making of Nelson Rockefeller’s Most Personal Room
In April 1939, the SS Normandie docked in New York Harbor carrying, somewhere in her hold, a rolled carpet. The Normandie was herself the most extravagant object afloat; an emblem of French luxury and design, her marble lounges dressed with Aubusson carpets, signed furniture, and exceptional lighting, a vessel so audaciously beautiful that the New York Times had described her maiden crossing as "the greatest mass of steel and machinery ever to sail the sea." She was also, in April 1939, five months from her last voyage. Germany would invade Poland in September. The Normandie would be seized by the United States Navy, catch fire during conversion to a troopship, and capsize into the Hudson River, taking with her the full weight of the civilization she had been built to represent.
Read the FeatureZeki Müren and the Carpet as Self-Portrait: The Pasha Who Designed His Own Floor
In the showroom of Hüseyin Kaplan, in the Sultanahmet quarter of Istanbul beneath the minarets of the old city, there are more than five hundred carpets that belong to no classical category. They are not Hereke, not Oushak, not the courtly Ottoman medallion weavings that the connoisseur expects from this geography. They are jewel-toned and abstract, shot through with an abstract confidence, and they bear, some of them, the signed ones, a name woven into the border that any Turk and most serious collectors would recognise instantly. They are the work of Zeki Müren, and they constitute one of the most singular bodies of design the twentieth-century carpet has produced.
Read the FeatureDeventer, KVT and the Dutch Carpet: The Workshop that Wove for Royalty
The Dutch did not look abroad for the floors of their palaces. This is a small fact with large implications. When the courts of Europe sent to Aubusson and Savonnerie for their carpets, when the very word Smyrna on a label conferred the authority of the East, the House of Orange laid beneath its ceremonial rooms a carpet woven in a river town in the eastern Netherlands, at a factory that had, with a confidence bordering on provocation, named its own street after Smyrna itself. Smyrnastraat, in Deventer. The address of the Koninklijke Vereenigde Tapijtfabrieken, and a declaration of standing made in cobblestone.
Read the FeatureOf Royal Culture and Inheritance: The Silk Heriz Triclinium Carpet of 1868, Perhaps the Finest Surviving Example in the World
Our founder and principal Jahanshah Josh Nazmiyal has been in the carpet industry long enough to have learned that the great pieces announce themselves before one has understood what one is looking at. The light catches the silk a particular way. Some quiet, almost biological recognition runs through the room, the way a wine of consequence stills the table before anyone has spoken its vintage. One has the sense of having interrupted a conversation already in progress. The carpet was here first; one is being received by it. The team welcomed this silk Heriz, the way Jahanshah had unrolled perhaps forty thousand carpets across the better part of his life, and we will tell you honestly that we sat down beside it for a long time before any of us said anything. There is a particular gold in the mian farsh; the great central field, that we all have seen perhaps rarely before in a quarter-century of looking. It is the gold of late-October sun on the dome of the Shah Mosque in Isfahan, the gold the Safavid silk weavers of the seventeenth century pursued and very nearly lost, the gold that the Heriz workshops of the 1860s recovered for a brief generation of patrons before the world turned and they were forgotten. To kneel beside it is to be quiet in the presence of something that does not require your understanding to be what it is.
Read the FeatureFAQs
Prayer rugs, designed for personal devotion, typically range from 2'x3' to 4'x6'. Area rugs, the most common category, span from 5'x8' to 9'x12', with slight irregularities in dimensions often adding character to Persian pieces. Runners, intended for corridors and galleries, usually measure 2'6" to 4' in width and can extend up to 30' in length.
Palace carpets, created for grand spaces, frequently exceed 20' in length, with some reaching truly monumental proportions. Oversized rugs, often measuring 15' x 25' or larger, were typically crafted for European mansions or aristocratic residences. Unusual sizes are not uncommon in the antique rug world, with nearly square formats and circular designs occasionally appearing. Fragments of larger carpets, while not original sizes, offer valuable insights into historical weaving techniques
Perhaps most critical is the relationship between collector and dealer. A reputable dealer not only offers access to a wide selection but also brings invaluable expertise and a cultivated eye. The ideal scenario is an alignment of taste and sensibility between dealer and client, ensuring a shared understanding of quality and aesthetics. This synergy is vital because no two rugs are truly alike – each possesses its own history, condition, and character.
The international market for antique rugs is highly nuanced. While many fine pieces circulate within this sphere, the upper echelon – the top 1% of carpets – inhabits a space of true rarity and, often, inestimable value. These pieces, coveted by museums and elite collectors alike, transcend mere market valuations to become priceless artifacts of human artistic achievement.
This technique involves the artful juxtaposition of textures, patterns, and colors. A common approach pairs a larger, more neutral antique rug—perhaps a muted Oushak or stone-washed Persian—with smaller, vibrant pieces like jewel-toned Tabriz or geometric Caucasian rugs. This layering not only adds visual depth but also defines specific areas within a larger space.
The key to successful layering lies in balancing scale, proportion, and color coordination without appearing contrived. The goal is a harmonious composition where each rug complements the others and the surrounding space. We often advise clients to consider the historical and cultural contexts of their rugs, creating combinations that tell stories of trade routes and artistic exchanges. This thoughtful approach elevates a space from merely designed to truly curated, resulting in rooms that are not just visually stunning, but rich in history and personal expression. At Rug & Kilim, we believe that mastering this technique transforms floors into captivating narratives, adding intellectual depth to the aesthetic appeal of any interior.
- Reduces stress on the rug's structure by absorbing impact from foot traffic
- Prevents direct contact with potentially damaging subfloors
- Aids in maintaining the rug's proper shape and prevents folding or buckling
- Enhances air circulation, mitigating moisture-related issues
We place particular emphasis on the often-overlooked element of padding, custom-engineered to provide optimal support and preserve structural integrity. Our restoration services, executed by artisans of the highest caliber, are akin to fine art conservation, ensuring each piece retains its provenance while remaining relevant in contemporary design contexts. At Rug & Kilim, we don't simply maintain rugs; we curate legacies, ensuring these woven masterpieces continue to elevate spaces and narratives for generations to come.
At Rug & Kilim, we don't simply restore; we shepherd textile masterpieces through time, upholding the belief that proper care of fine rugs is a cultural imperative. Our proprietary cleaning methods preserve patina while eliminating deep-seated impurities, and we emphasize preventative measures like custom-cut, high-quality padding to ensure longevity. Collaborating with leading designers, we ensure our restorations not only preserve inherent value but enhance each rug's role in contemporary spaces.
When initiating a focused search, it's often most effective to work exclusively with a trusted dealer. This approach allows for a more targeted effort, leveraging the dealer's network of contacts across international markets. From private collections in Europe to hidden treasures in Central Asia, the right connections can unearth extraordinary finds. The perfect antique rug may not reveal itself immediately, but a dedicated search often yields remarkable results. It's not uncommon for sought-after pieces to emerge from unexpected sources, whether it's a centuries-old Khotan discovered in a Viennese collection or a rare Tabriz in a Parisian gallery.
At Rug & Kilim, we pride ourselves on embodying these principles. Our extensive global network, cultivated over decades, allows us to source exceptional pieces that meet even the most exacting criteria. Our team's deep expertise spans various weaving traditions, enabling us to guide clients through the complexities of the antique rug market. We are committed to not just meeting but exceeding client expectations, often uncovering pieces that our clients didn't even know existed. Our dedication to authenticity, quality, and customer satisfaction has established Rug & Kilim as a trusted name in the world of fine antique rugs.