Wool
France, c. 1920-1929
11'0" X 14'8" (3.35 m x 4.47 m)
Available: Shipping As Soon As Tomorrow
Oversized Antique Aubusson Rug with Floral Medallion & Swan Motifs - Rug & Kilim


The Red Thread
By Oak – The Nordic Journal — Phaidon, 2017
Contemporary, Modernist (20th Century), Swedish/Scandinavian
An elegant exploration of the hugely influential simplicity, beauty, and functionality of Nordic design - timeless, yet on trend From literature to food, lifestyle to fashion, cinema to architecture, Nordic influence is evident throughout contemporary culture. The Red Thread: Nordic Design celebrates this deep-rooted aesthetic, showcasing the diversity of design from Scandinavia and Finland via more than 200 objects - from everyday items to exquisitely produced decorative glassware, and from traditional handmade textiles to mass-produced products found in homes across the globe. The title is taken from a metaphor, common in the Nordic countries, of a shared and highlighted characteristic (like a long connecting thread in woven material), that runs through and connects themes, ideas, stories, and, in this case, design.
$80
"Rug & Kilim is my go to resource for rugs. Their selection is wide and deep, and Josh’s eye for antique pieces is extraordinary. I always walk away with great pieces, and they are a pleasure to collaborate with. They’ve been my trusted partner on projects for years."
— Ann Wolf, Wolf Holden Design Studio
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
Stories from the European Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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Rug of the Week IV: Mandaroux’s Le Carnaval — A Mid-Century Aubusson Tapestry in the Age of Postwar Reinvention
NO. 33873 Vintage French Aubusson Mandaroux Tapestry in Green with Pictorial | Rug & Kilim >> When the name Aubusson appears in a conversation among connoisseurs, it evokes an institution: five centuries of tapestry production that has furnished the courts of France, the grand hôtels particuliers of Paris, and the most ambitious interiors of Europe. Yet, the 20th century forced Aubusson into an existential shift. With the Second World War leaving both industry and identity fractured, the ateliers of central France were compelled to modernize. Painters, architects, and designers were invited to collaborate, transforming tapestry from historicist ornament into a modern art form.
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Rug of the Week Series III: Power, Pattern, and Politics in French Needlepoints of the Second Empire
There are objects that decorate, and there are objects that define. This mid-19th century French needlepoint rug—handmade in wool between 1850 and 1860—is firmly of the latter category. At first glance, its medallion-and-floral field, worked in shades of imperial blue, martial red, and softened beige-brown, reads as a refinement of ornament. Yet within its stitches lies the broader cultural program of Napoleon III’s Second Empire, when interiors were designed as orchestrated symbols of hierarchy, order, and political continuity. To understand a textile such as this is to understand the interior not as decoration but as stagecraft: a point where power, domestic life, and aesthetics converged.
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Rug of The Week Series II: Jean Lurçat’s L’Homme and the Political Resurrection of Tapestry
Some works enter a room as objects; others arrive as events. Jean Lurçat’s L’Homme does not merely hang—it presides. It does not wait for you to look; it looks back. Woven in postwar France, at a time when the language of beauty had been shattered by history, this tapestry is a declaration: that art must outlast its maker, and that a wall can bear more than ornament—it can bear witness. The Eternal Sentinel of Human Dignity and Earth’s Memory The man here is not merely a figure but a totem—an emblem of humanity rooted in the soil, crowned with nature’s defiance. Lurçat, whose postwar revival of the Aubusson tapestry tradition redefined its purpose, would say this figure is not a portrait but a mirror: a reflection of what dignity looks like when stripped of ornamentation, yet woven with the richest colors of survival.
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The World of Period Piece Rugs and Kilims: Provenance, Style, and Collecting Masterworks
In the world of fine art and design, the term period piece is not a casual descriptor—it is an assurance of historical integrity, stylistic authenticity, and documented provenance. To speak of period piece rugs and kilims is to speak not simply of textiles, but of time made tangible. From the opulent wool-and-silk Savonneries gracing the salons of Louis XIV, to the restrained architectural harmony of French Aubussons, the modernist clarity of a signed Leleu, or the atmospheric geometry of Chinese Art Deco and Peking carpets—these are not mere floor coverings. They are artefacts of intent, designed to speak to power, status, and the zeitgeist of their era.
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Rug & Kilim Went to Italy: Tapestries and Art That Still Shape the Rooms We Build
There are a few moments in a designer’s life when the past speaks with such authority that it stills the noise of our modern age. On our recent visit to Italy, we found ourselves standing in hushed awe before one of design history’s most overlooked masterworks: the tapestry. As part of our curatorial philosophy at Rug & Kilim, we believe great design doesn’t begin in studios. It begins in the field—in spaces where material history still breathes. We usually traverse geographies and genres, not to converse with spaces and history, but to also interact with narratives of faith, empire, gender, and place. In Italy, it was the tapestry that spoke to us most lucidly.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
European
Wool
France, c. 1920-1929
11'0" X 14'8" (3.35 m x 4.47 m)
$60,000
Available: Shipping as Soon as Tomorrow
Oversized Antique Aubusson Rug with Floral Medallion & Swan Motifs - Rug & Kilim
"Rug & Kilim has been a pleasure to work with from the very start of our relationship. Not only is their service outstanding, their inventory of one of a kind vintage rugs is unparalleled."
— Alan Eckstein and Margaret Goddard, Somerset House
