Wool
France, c. 1890-1900
13'1" X 15'4" (3.99 m x 4.67 m)
Available: Shipping As Soon As Tomorrow
Antique French Aubusson Rug, Monumental Florals in Chocolate Brown
"It's rare to find a rug company that offers unique antiques, curated with a historical eye. And the best quality customization for anything you might need. All while being treated like family - love those guys."
— Andre Mellone, Studio Mellone
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
Stories from the Antique Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Provenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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The Rug That Made the Room: Ten Interiors Where the Carpet Was the Only Decision That Mattered
Every serious designer knows the moment. You walk into a room that is not yet finished; the furniture placed but provisional, the walls painted but unconvinced, the light doing its best with what it has been given and something stops you. Not the chandelier. Not the art. The floor. A carpet lies there with the particular authority of an object that has already decided what the room is going to be, and is waiting, with complete patience, for everything else to catch up. The furniture will be chosen in response to it. The color of the walls will be negotiated against it. The art will be hung at a height that the carpet's scale has already determined. The room, in the most literal sense, begins underfoot.
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The Art of Appraisal: Inside Rug & Kilim’s Culture of Connoisseurship
Rug & Kilim Showroom — a house of woven gems, collected with intention. There is a difference between owning a rug and stewarding one. At Rug & Kilim, appraisal exists at the intersection of scholarship, diplomacy, and design history. To evaluate a textile at the highest level is to understand not only fiber and knot count but courts and ateliers, fashion houses and museums, auction rostrums and private salons. Because in truth, the greatest rugs and tapestries have always belonged to the same cultural tier as painting and architecture. A carpet signed by Jules Leleu does not simply carry a market price; it carries the intellectual weight of Paris between the wars. A tapestry attributed to Jean Lurcat is not merely woven wool; it is postwar Europe reasserting itself through myth and modernism. To appraise such works requires fluency not only in textile technique, but in art history, fashion, architecture, diplomacy—and the subtle codes of elite taste.
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Rug of the Week IV: Mandaroux’s Le Carnaval — A Mid-Century Aubusson Tapestry in the Age of Postwar Reinvention
NO. 33873 Vintage French Aubusson Mandaroux Tapestry in Green with Pictorial | Rug & Kilim >> When the name Aubusson appears in a conversation among connoisseurs, it evokes an institution: five centuries of tapestry production that has furnished the courts of France, the grand hôtels particuliers of Paris, and the most ambitious interiors of Europe. Yet, the 20th century forced Aubusson into an existential shift. With the Second World War leaving both industry and identity fractured, the ateliers of central France were compelled to modernize. Painters, architects, and designers were invited to collaborate, transforming tapestry from historicist ornament into a modern art form.
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Rug & Kilim’s Scandinavian Rug Projects of 2023: Favorites from Designers to Watch
Scandinavian design seamlessly merges functionality and aesthetics, creating a universal appeal that permeates art, design, and the fashion industry. Copenhagen Fashion Week and Stockholm Design Week are a clear demonstration of this belief, leading the way in sustainable and intentional designs in the fashion and design industries. These events also bring Swedish design to the attention of interior designers, artists, and design professionals everywhere. According to the Swedish Design Museum, which was established online in 2017, this unique style is rooted in the value of equality. For Scandinavians, design and creativity hold great significance socially, culturally, and aesthetically, reflecting their progressive values and dedication to an inclusive society. The influence of Scandinavian design extends beyond the region, playing a key role in shaping distinct design and art movements globally.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Antique
Wool
France, c. 1890-1900
13'1" X 15'4" (3.99 m x 4.67 m)
$29,000
Available: Shipping as Soon as Tomorrow
Antique French Aubusson Rug, Monumental Florals in Chocolate Brown
"Rug & Kilim is one of our favorite sources when looking for quality handmade rugs. Their team go above and beyond to find &/or make the rugs that fit our clients needs as well as their dreams."
— Becca Ford, Emily Lindberg Design
