Style
Navajo
Every piece in this style, across all of our collections. Narrow them down by size and price.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
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Stories from the Navajo Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Navajo Rugs: History, Art, Design & the Legacy of Diné Weaving
Navajo rugs occupy a singular position within the history of American textile art. Woven by Diné artists across the American Southwest, these textiles represent far more than a regional decorative tradition. They embody generations of knowledge surrounding sheep, wool, spinning, natural materials, color, geometry, landscape, community, and cultural continuity. From nineteenth-century blankets to the celebrated regional rugs of the early twentieth century—and from Two Grey Hills and Ganado to sophisticated contemporary works—Navajo weaving has continually demonstrated the ability of textile art to function simultaneously as cultural expression, design, craftsmanship, and fine art.
Read the FeatureThe Museumification of Rugs: How Institutions Decide What Becomes “Art”
Rugs enter a museum not by virtue of age or beauty alone, but through a complex calculus of scholarship, provenance, cultural relevance, and curatorial vision. Rugs have always stood at an uneasy threshold in the hierarchy of the arts—venerated as cultural documents, admired as technical achievements, yet long excluded from the canon reserved for painting, sculpture, and monumental crafts. Today, however, museums around the world are undergoing a profound recalibration of their relationship to weaving traditions. Rugs, tapestries, and fiber works are no longer fringe “decorative arts” but central to conversations on modernism, cultural exchange, and the politics of material culture.
Read the FeatureHow Rugs Frame and Define the Modern Open Interior: Defining Spaces From Palace Halls to Loft Living
The open-concept space is the modern equivalent of the grand hall and the ceremonial courtyard—a place where boundaries dissolve, yet zones must still be understood. In open-concept interiors—those vast, uninterrupted expanses where living, dining, and work areas coalesce—rugs operate as more than mere surface coverings. They translate the architectural intent of a room into lived experience, delineating invisible borders through proportion, motif, and material. They are architectural anchors, narrative devices, and cultural emissaries. A well-chosen rug brings not only visual cohesion but also historic depth, artisanal integrity, and tactile luxury to a space that might otherwise feel adrift. The placement of a rug in such environments is an act of both design precision and curatorial decision-making—akin to hanging a masterwork in a gallery.
Read the FeatureWhat Makes Qashqai Kilims Unique? Inside the World of Persian Tribal Rugs and Flatweaves
As seen in Domino Magazine, featuring our Kilim rug, designed by Los Angeles design firm A1000XBetter, founded by Kirsten Blazek. Over the last four decades of collecting, studying, and preserving Kilims and Flatweaves, we have come to understand them not simply as tribal textiles, especially Qashqai kilims, which are documents authored by women whose names we will never know, yet whose design decisions resonate across centuries. Every kilim in a collection is a fragment of a larger ethnographic narrative of movement, negotiation, and encoded survival. What begins as a study in tribal design inevitably becomes a reflection on how memory operates in material form. As collectors and custodians, we have come to understand these pieces less as possessions and more as conversations—between past and present, utility and abstraction, territory and transcendence. They speak to the same values that define the most forward-thinking design philosophies: sustainability, material honesty, visual intelligence, and narrative depth.
Read the FeatureA Guide to Horse Pictorials in Persian and Caucasian Rugs
Pictorial rugs with animals are extremely collectible, as few remain today and each is a one-of-a-kind treasure. This Persian-style design depicting horses in a gallop is inspired by Gabbeh tribal rugs and similar, rare forms of Persian folk art. Its pictorials depict triplets of running horses in beige and brown, orange and pink tones on a beige field. Keen eyes will further admire the striae of yarns that achieves an abrashed, textural look in the field and pattern colorway. https://rugandkilim.com/product/modern-classics/persian-style-rug-in-beige-with-brown-and-orange-horse-pictorials/?objectID=233169-0&queryID=23e2ef8df7aa9e9adc59d00b052e4fe5
Read the FeatureAn Abbreviated Guide To Antique and Vintage Rugs
Antique rugs have been in Josh’s resume since he began in the industry almost 40 years ago when he was already recognized for one of the largest oriental rug collections in the United States. Each piece in the internationally recognized volume was hand picked for rarity, and of course aesthetic and beauty, now complementing one of the widest varieties of Persian rug and Turkish rug collections with the utmost attention to individuality and care. Because of Josh’s position in the wholesale rug industry he’s been responsible for promoting a number of collections throughout history, from breathtaking signature Tabriz, Sultanabad, Kerman Lavar, Agra, and Oushak classics to the more unsung jewels of the luxury industry.
Read the Feature