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- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
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36241Rug & Kilim’s Plain Contemporary Rug in Solid Silver and Off-White Tone-on-Tone
35018vintage Persian Soumak Kilim, Brown with Polychromatic Geometric Bands - Rug & Kilim
35010Vintage Bokhara Rug in Saturated Red with Geometric Patterns - Rug & Kilim
35022Vintage Persian Soumak Kilim, Vibrant Jewel Tone Geometric Motifs - Rug & Kilim
35000Vintage Bokhara Rug in Navy Blue with Beige Geometric Patterns - Rug & Kilim
35019Vintage Persian Soumak Kilim, Vibrant Tribal Geometric Patterns - Rug & Kilim
35021Vintage Persian Soumak Kilim, Deep Earth Tones with Diamond Bands - Rug & Kilim
33386Vintage Shahsavan Persian Kilim Runner Rug, Red and Brown Stripes - Rug & Kilim
35013Vintage Persian Soumak Kilim, Deep Brown with Jewel Tone Diamonds - Rug & Kilim
33599Vintage Gabbeh Persian Rug, Cream with Gold Lion Pictorial - Rug & Kilim
33584Vintage Gabbeh Persian Rug, Gold and Black with Lion Pictorial - Rug & Kilim
33594Vintage Gabbeh Persian Runner Rug with Colorful Geometric Patterns - Rug & Kilim
35002Vintage Bokhara Rug, RIch Red with Pink Geometric Patterns - Rug & Kilim
35014Vintage Persian Soumak Kilim, Tribal Diamonds in Light Jewel Tones - Rug & Kilim
35007Vintage Bokhara Rug in Soft Sage Green with Geometric Patterns - Rug & Kilim
10800Rug & Kilim’s Oushak Rug in Cream with Slate Blue Floral Patterns
35009Vintage Bokhara Rug in Black with Geometric Patterns - Rug & Kilim
35016Vintage Persian Soumak Kilim, Burgundy with Vibrant Tribal Motifs - Rug & Kilim- Out of Stock
34049Rug & Kilim’s Oushak Rug in Beige-Cream with Medallion and Florals 
35017Vintage Persian Soumak Kilim, Vibrant Diamonds on Rich Brown Tones - Rug & Kilim
35020Vintage Persian Soumak Kilim, Rich Ground with Jewel Tone Motifs - Rug & Kilim
29327Vintage Oushak Rug with Polychromatic Geometric Medallions, from Rug & Kilim
32367Vintage Sivas Kilim with Polychromatic Geometric Patterns - Rug & Kilim
27747Rug & Kilim’s Contemporary Runner and Textural Rug in Solid Gray Striae
34048Rug & Kilim’s Oushak Square Rug in Blue with Floral Patterns
34045Rug & Kilim's Oushak Rug in Blue-Gray with Medallion and Floral Patterns
27896Rug & Kilim’s Chinese Art Deco rug in Beige with Colorful Florals
31699Vintage Turkish Rug in Cream with All-Over Diamond Medallions - Rug & Kilim
31830Vintage Turkish Rug in Red with Blue and White Floral Medallion | Rug & Kilim
31456Vintage Zeki Müren Rug in Beige, with Colorful Floral Patterns from Rug & Kilim
29316Vintage Oushak Square Rug with Geometric Floral Medallion, from Rug & Kilim
30176Vintage Turkish Kilim with Polychromatic Chevrons & Stripes, from Rug & Kilim
29321Vintage Oushak Rug in Violet Purple with Geometric Medallions, from Rug & Kilim
29322Vintage Oushak Rug in Beige-Brown with Geometric Patterns, from Rug & Kilim
32581Vintage Zeki Müren Runner Rug with Multicolor Floral Medallions | Rug & Kilim
29471Vintage Afghan Kilim Rug with Polychromatic Stripes, from Rug & Kilim
30044Rug & Kilim’s Outdoor Scandinavian Runner Rug with Gray Geometric Patterns
30962Rug & Kilim’s Textural Rug with Beige-Brown and Gray Stripes “Light on Loom”
30973Rug & Kilim’s Modern Lavar Rug in Burgundy and Gold With All-Over Floral Pattern
31818Vintage Turkish Rug in Pink with Blue & Green Geometric Medallion | Rug & Kilim
30642Rug & Kilim’s Contemporary Rug in Beige, Gray and Blue Geometric Patterns
25739Rug & Kilim’s Oversized Oriental Rug in Red with Floral Patterns
30628Vintage Tulu rug with Shag Pile by Rug & Kilim
35006Vintage Bokhara Rug in Deep Navy with Geometric Patterns - Rug & Kilim
30719Rug & Kilim’s Contemporary Rug in Brown with Floral Patterns
Stories from the Make an Offer Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Leo and Greti Wollner and the Vienna Carpet Inheritance
There is a particular authority that attaches to an object when one can trace its maker's hand, teacher by teacher, back to a single revolutionary moment, and in the case of Leo and Gretl Wollner, that moment is the Wiener Werkstätte. To own a Wollner carpet is to hold the last living end of a thread that runs directly to Josef Hoffmann, to Koloman Moser, to the Vienna of 1903 that resolved, against the whole weight of European convention, that there should be no hierarchy dividing the fine arts from the applied ones. A painting and a carpet were to be judged by the same measure. A century later, the Wollners are among the very last to have been taught that creed by the people who founded it.
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Vintage Andean Frazada Kilim and the Three Thousand Years of Living Memory Held in Its Weave
The most sophisticated rooms in America are being furnished, increasingly, with an object its makers never intended to sell. The Andean frazada, a handwoven kilim produced for centuries in the high villages of Peru and Bolivia for one reason only, to survive the cold, has become one of the most quietly coveted textiles in contemporary design. Collectors who could specify anything are choosing these. The reason has nothing to do with trend, and everything to do with what a frazada actually is. To understand a frazada, you must first understand the altitude. Above four thousand meters in the Andes, higher than any peak in the contiguous United States, in air so thin that newcomers move slowly and sleep poorly for days, the cold is not a season. It is a constant. It arrives every night, regardless of the calendar, and it has arrived every night for as long as people have lived in these mountains. The frazada was the answer to that cold: a thick, dense, hand-woven wool blanket, made not for sale, not for export, not for the floors of distant apartments, but for survival. For warmth. For the bed of a family that would not otherwise make it through the dark.
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Of Royal Culture and Inheritance: The Silk Heriz Triclinium Carpet of 1868, Perhaps the Finest Surviving Example in the World
Our founder and principal Jahanshah Josh Nazmiyal has been in the carpet industry long enough to have learned that the great pieces announce themselves before one has understood what one is looking at. The light catches the silk a particular way. Some quiet, almost biological recognition runs through the room, the way a wine of consequence stills the table before anyone has spoken its vintage. One has the sense of having interrupted a conversation already in progress. The carpet was here first; one is being received by it. The team welcomed this silk Heriz, the way Jahanshah had unrolled perhaps forty thousand carpets across the better part of his life, and we will tell you honestly that we sat down beside it for a long time before any of us said anything. There is a particular gold in the mian farsh; the great central field, that we all have seen perhaps rarely before in a quarter-century of looking. It is the gold of late-October sun on the dome of the Shah Mosque in Isfahan, the gold the Safavid silk weavers of the seventeenth century pursued and very nearly lost, the gold that the Heriz workshops of the 1860s recovered for a brief generation of patrons before the world turned and they were forgotten. To kneel beside it is to be quiet in the presence of something that does not require your understanding to be what it is.
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From the Rothschild Collection: On Provenance, Collecting, and the Rugs That Outlast Everything
In April 2016, three rugs arrived at Christie's King Street in London that had not been seen in public for over a century. They had not been exhibited. They had not been published. They had not, so far as the scholarly record indicates, been shown to anyone outside the family that owned them since before the First World War. They were Kerman Vase carpets, woven in southeastern Persia in the seventeenth century, acquired by Ferdinand de Rothschild before his death in 1898, passed to his sister Alice, then by descent to her nephew James, and held quietly, privately, with the particular discretion that distinguishes the greatest collections from merely expensive ones for one hundred and eighteen years.
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What Makes Qashqai Kilims Unique? Inside the World of Persian Tribal Rugs and Flatweaves
As seen in Domino Magazine, featuring our Kilim rug, designed by Los Angeles design firm A1000XBetter, founded by Kirsten Blazek. Over the last four decades of collecting, studying, and preserving Kilims and Flatweaves, we have come to understand them not simply as tribal textiles, especially Qashqai kilims, which are documents authored by women whose names we will never know, yet whose design decisions resonate across centuries. Every kilim in a collection is a fragment of a larger ethnographic narrative of movement, negotiation, and encoded survival. What begins as a study in tribal design inevitably becomes a reflection on how memory operates in material form. As collectors and custodians, we have come to understand these pieces less as possessions and more as conversations—between past and present, utility and abstraction, territory and transcendence. They speak to the same values that define the most forward-thinking design philosophies: sustainability, material honesty, visual intelligence, and narrative depth.
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Rug & Kilim Consultation Services to Help you Make the Best Decisions
Rugs epitomize a harmonious blend of tradition and innovation, embodying the seamless union of age-old manufacturing techniques and contemporary creativity. Each rug is a testament to the artistry and skill that transcends generations. The outcome of this fusion is a distinctive artwork renowned for its exceptional quality, meticulous craftsmanship, enduring durability, and inherent value. What sets these handmade rugs apart is their status as individual works of art, with no two rugs being identical even if the design shares similarities. By choosing a custom handmade rug, you are not merely acquiring a home décor item; you are welcoming an unparalleled art piece into your living space – an exquisite creation that not only enhances the aesthetic appeal of your home but also invites you to tread upon a unique masterpiece woven with tradition and contemporary ingenuity.
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