India
3'1" X 5'4" (0.94 m x 1.63 m)
Out of Stock: Made to Order 18‑20 Weeks
Rug & Kilim’s Scandinavian Folk Art Rug in Brown with Pictorial Pattern
"Josh has been able to dredge up some of the rarest and most beautiful carpets for our nerdy and stringent requirements. And we have had a grand time together assembling collections for clients."
— Ralph Harvard, Ralph Harvard Inc.
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 3'1" x 5'4" ( 0.94 m x 1.63 m )
- Categories: Burano
- Classification: Classic/Traditional, Pictorial, Swedish/Scandinavian
- Origin: India
- SKU: 23785
Specifications:
Stories from the Burano Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Rug & Kilim’s Tapestry Artists’ Series: In Dialogue with Elizabeth Chester
There is a particular kind of looking that a great tapestry demands, slower than painting, more physical than sculpture, closer to reading than to seeing. The eye must travel. It must follow the thread, understand the structure, and then, having understood it, surrender to the illusion that the structure has been designed to create. The greatest European tapestries have always operated this way: technically transparent to the scholar and visually overwhelming to everyone else simultaneously. It is the most demanding of the textile arts, and the one that rewards sustained attention most completely.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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How U.S.–Iran Tensions Are Reshaping the World of Fine Rugs: From Safavid Courts to Sanction Regimes
There is a room in the Metropolitan Museum of Art in New York where a sixteenth-century Persian carpet stops people mid-stride. Because something in the object itself; its scale, its silence, the particular authority of a thing that has already outlasted three empires makes the ordinary pace of a museum visit feel suddenly inappropriate. The Emperor's Carpet, as it is known, was commissioned in Safavid Iran, passed to Peter the Great of Russia, gifted to the Habsburg Emperor Leopold I in 1698, held by the Austrian Imperial House until 1921, acquired by the Met in 1941, and displayed publicly only twice in the following sixty years because its condition was too fragile to risk. It has survived more political systems than any collector alive today will ever witness. It knows something about geopolitics that no sanctions framework, no bilateral negotiation, no executive order has yet managed to articulate.
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How Mid-Century Textile Artists Rewrote the Language of Art and Space Globally: A Lineage of Design Today
There is a particular kind of interior; rare, deliberate, and intellectually composed, where a rug does not decorate, but makes it art in itself. A residence overlooking Central Park, where glass and steel are softened not by excess, but by a singular woven field. A discreet apartment in Mayfair, where a tapestry holds the wall with the authority of painting. A villa in Cap Ferrat, where modernist furniture and mid-century textiles coexist with the quiet confidence of shared lineage. These are styled interiors. And at the center of many such spaces lies a quiet revolution that began in the mid-20th century, when textile artists stepped out of the decorative margins and into the intellectual core of modernism.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Burano
India
3'1" X 5'4" (0.94 m x 1.63 m)
Out of Stock: Made to Order 18‑20 Weeks
Rug & Kilim’s Scandinavian Folk Art Rug in Brown with Pictorial Pattern
"Rug & Kilim's inventory spans the past four centuries and includes everything from ethnic and tribal patterns to European designs, as well as a host of Art Deco, abstract and understated tone-on-tone offerings, all in a vast array of materials, weaves and sizes."
— Tony Freund, 1stDibs Editorial Director
- Measurements: 3'1" x 5'4" ( 0.94 m x 1.63 m )
- Categories: Burano
- Classification: Classic/Traditional, Pictorial, Swedish/Scandinavian
- Origin: India
- SKU: 23785
