Wool
France, c. 1910-1919
8'2" X 11'2" (2.49 m x 3.40 m)
Available: Shipping As Soon As Tomorrow
Antique French Savonnerie Rug with Swan Pictorials & Heraldic Medallion - Rug & Kilim
"Rug & Kilim have been true collaborators in our projects. Their taste, and unmatched knowledge, have led us in unique and unexpected directions - the hallmark of a great partnership"
— Justin Capuco & Brittney Hart
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 8'2" x 11'2" ( 2.49 m x 3.40 m )
- Categories: Antique, European, The Jahanshah Collection
- Classification: Classic/Traditional, European, Floral, Medallion, Pictorial, Savonnerie, Transitional
- Material: Wool
- Origin: France
- SKU: 34107
Specifications:
Stories from the European Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Axminster Rugs: History, Craftsmanship, and British Design Heritage
Among the most influential carpet traditions to emerge from Europe, Axminster rugs occupy a distinguished position within the history of decorative arts, architecture, and interior design. Renowned for their exceptional craftsmanship, technical innovation, and artistic sophistication, Axminster carpets represent one of Britain's most important contributions to the global history of textile design. Originating in the historic market town of Axminster in Devon, England, these carpets became synonymous with luxury, refinement, and excellence from the eighteenth century onward. Their influence extended far beyond Britain, shaping carpet production, interior decoration, and architectural furnishing throughout Europe, North America, and the wider world.
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The Artists Behind European Tapestry: A Guide to the Names Worth Knowing
There is a persistent misconception about tapestry, and it is worth correcting at the outset: that the weaving is the whole of the art. It is not. Behind every great European tapestry stands an artist, the author of the design from which the weavers worked, and the history of the medium is in large part the history of these figures. To collect tapestry seriously, or simply to understand it well, is to know their names. What follows is a guide to the artists who matter most, arranged as the tradition itself unfolded, from the royal workshops of the old regime to the modern revival that made tapestry, once again, one of the most ambitious art forms in the world.
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A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
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Provenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
European
Wool
France, c. 1910-1919
8'2" X 11'2" (2.49 m x 3.40 m)
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Available: Shipping as Soon as Tomorrow
Antique French Savonnerie Rug with Swan Pictorials & Heraldic Medallion - Rug & Kilim
"Josh and his team have supported my interior design work, as well as my personal projects, for over 20 years. Their inimitable combination of creativity, personal attention, professionalism and joie de vivre are irresistible."
— Claire Fleming Peters, Fleming Peters
- Measurements: 8'2" x 11'2" ( 2.49 m x 3.40 m )
- Categories: Antique, European, The Jahanshah Collection
- Classification: Classic/Traditional, European, Floral, Medallion, Pictorial, Savonnerie, Transitional
- Material: Wool
- Origin: France
- SKU: 34107
