Wool
Afghanistan, c. 1950-1959
3'10" X 10'4" (1.17 m x 3.15 m)
Available: Shipping As Soon As Tomorrow
Vintage Afghani Kilim Runner with Striped Design in Deep Red Hues - Rug & Kilim
"It's rare to find a rug company that offers unique antiques, curated with a historical eye. And the best quality customization for anything you might need. All while being treated like family - love those guys."
— Andre Mellone, Studio Mellone
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
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Reliable worldwide delivery handled with care, precision and constant communication.
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We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 3'10" x 10'4" ( 1.17 m x 3.15 m )
- Categories: Kilim & Flat Weave, Vintage
- Classification: Classic/Traditional, Kilim/Flat Weave, Solid/Stripes
- Material: Wool
- Origin: Afghanistan
- SKU: 36189
Specifications:
Stories from the Kilim & Flat Weave Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Art of Bespoke Design by Rug & Kilim: How a Painting, a Fabric, or a Fragment Becomes a Custom Rug
Every custom rug begins with a question that sounds simple and is not: what does this room want to stand on? The answer, in the finest commissions, rarely arrives as a specification. It arrives as an object. A client brings in a painting they have loved for thirty years. A designer adores a length of antique silk, or lays down a sample of a document fabric, or produces a photograph of a fresco glimpsed on a wall in Ravenna. The brief is a feeling, held in another medium, waiting to be carried into wool or silk or sometimes, exotic fibres. This act of carrying is the true art of the custom rug, and it is far older and more serious than the word “custom” suggests. It is translation, in the fullest literary sense: the movement of meaning from one language into another, with everything gained and lost that translation implies. It is also, increasingly, the way the most celebrated interiors in the world are made. When AD100 designer Heidi Caillier needed flatweaves for a coastal retreat, when Fawn Galli reimagined a historic Beaux-Arts townhouse on the Upper West Side, when a Jacques Grange penthouse called for a hand-knotted silk carpet, the floor did not come off a shelf. It was translated into being, object by object, idea by idea.
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The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Vintage Andean Frazada Kilim and the Three Thousand Years of Living Memory Held in Its Weave
The most sophisticated rooms in America are being furnished, increasingly, with an object its makers never intended to sell. The Andean frazada, a handwoven kilim produced for centuries in the high villages of Peru and Bolivia for one reason only, to survive the cold, has become one of the most quietly coveted textiles in contemporary design. Collectors who could specify anything are choosing these. The reason has nothing to do with trend, and everything to do with what a frazada actually is. To understand a frazada, you must first understand the altitude. Above four thousand meters in the Andes, higher than any peak in the contiguous United States, in air so thin that newcomers move slowly and sleep poorly for days, the cold is not a season. It is a constant. It arrives every night, regardless of the calendar, and it has arrived every night for as long as people have lived in these mountains. The frazada was the answer to that cold: a thick, dense, hand-woven wool blanket, made not for sale, not for export, not for the floors of distant apartments, but for survival. For warmth. For the bed of a family that would not otherwise make it through the dark.
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Rug & Kilim’s Tapestry Artists’ Series: In Dialogue with Joanne Soroka
There are artists who weave cloth and the ones who weave ideas. And then there are artists; rare, serious, working at a register that most practitioners of any medium never reach, who weave lives. Not their own lives, though those are present too, but the lives of people who left no other record: emigrants who crossed oceans under duress, ancestors who worked rivers in foreign countries, families scattered across continents by persecution and necessity and the simple human desire for somewhere better than where they were. Joanne Soroka weaves these lives. She gives them, as she has said herself, the meaning that history denied them. The loom, in her hands then, is an act of remembrance, slow, physical, irreversible, and as close to justice as textile art has ever come.
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Understanding the Swedish Grace Movement of the 1920s: Origins of the “Scandinavian Rug”
The term "Swedish Grace" was used to define the products of the Swedish applied art industries in the 1920s, highlighting the Scandinavians' unique ability to infuse grace into the everyday routines of life. This movement seamlessly blended the decorative expressiveness of Art Deco and Neoclassicism with the characteristic Scandinavian restraint (or minimalism, as it would be coined in the early 20th century. Icons such as Eileen Gray, artist Fernand Léger and Francis Bacon adorned floors with vibrant geometric compositions. Before the emergence of the more defined Swedish minimalist designs between then and post-war era, there was the development of Swedish Grace, which ran parallel to the better-known Art Deco movement. It stands as a significant chapter in modern design history, representing the Nordic branch of the Art Deco style. Swedish Grace represented a shift towards geometric stylization, streamlining and a focus on the essential elements of line and form. Still, it further distinguished itself from Art Deco by often incorporating playful Nordic folk art motifs, neoclassical elements and a particularly refined sense of color — characteristic of Swedish art.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Kilim & Flat Weave
Wool
Afghanistan, c. 1950-1959
3'10" X 10'4" (1.17 m x 3.15 m)
$2,600
Available: Shipping as Soon as Tomorrow
Vintage Afghani Kilim Runner with Striped Design in Deep Red Hues - Rug & Kilim
"Josh and his team have supported my interior design work, as well as my personal projects, for over 20 years. Their inimitable combination of creativity, personal attention, professionalism and joie de vivre are irresistible."
— Claire Fleming Peters, Fleming Peters
- Measurements: 3'10" x 10'4" ( 1.17 m x 3.15 m )
- Categories: Kilim & Flat Weave, Vintage
- Classification: Classic/Traditional, Kilim/Flat Weave, Solid/Stripes
- Material: Wool
- Origin: Afghanistan
- SKU: 36189
