Wool
Afghanistan
2'9" X 8'3" (0.84 m x 2.51 m)
Out of Stock: Made to Order 18‑20 Weeks
Rug & Kilim’s Persian tribal style Horse Pictorial runner in Beige-Brown & Black
"Rug & Kilim is one of our favorite sources when looking for quality handmade rugs. Their team go above and beyond to find &/or make the rugs that fit our clients needs as well as their dreams."
— Becca Ford, Emily Lindberg Design
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 2'9" x 8'3" ( 0.84 m x 2.51 m )
- Categories: Modern Classics
- Classification: Classic/Traditional, Pictorial
- Material: Wool
- Origin: Afghanistan
- SKU: 27832
Specifications:
Stories from the Modern Classics Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Rug & Kilim’s Tapestry Artists’ Series: In Dialogue with Elizabeth Chester
There is a particular kind of looking that a great tapestry demands, slower than painting, more physical than sculpture, closer to reading than to seeing. The eye must travel. It must follow the thread, understand the structure, and then, having understood it, surrender to the illusion that the structure has been designed to create. The greatest European tapestries have always operated this way: technically transparent to the scholar and visually overwhelming to everyone else simultaneously. It is the most demanding of the textile arts, and the one that rewards sustained attention most completely.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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How U.S.–Iran Tensions Are Reshaping the World of Fine Rugs: From Safavid Courts to Sanction Regimes
There is a room in the Metropolitan Museum of Art in New York where a sixteenth-century Persian carpet stops people mid-stride. Because something in the object itself; its scale, its silence, the particular authority of a thing that has already outlasted three empires makes the ordinary pace of a museum visit feel suddenly inappropriate. The Emperor's Carpet, as it is known, was commissioned in Safavid Iran, passed to Peter the Great of Russia, gifted to the Habsburg Emperor Leopold I in 1698, held by the Austrian Imperial House until 1921, acquired by the Met in 1941, and displayed publicly only twice in the following sixty years because its condition was too fragile to risk. It has survived more political systems than any collector alive today will ever witness. It knows something about geopolitics that no sanctions framework, no bilateral negotiation, no executive order has yet managed to articulate.
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Swedish Rya Rugs in Art, Architecture, and Culture: The High Art of Scandinavian Textiles
There are moments in design history when an object transcends its origins and becomes elemental — a distilled form of cultural continuity, tactile intelligence, and silent authorship. The Swedish Rya rug is one such object. At once sculptural and symbolic, utilitarian and conceptual, it occupies a singular position at the intersection of textile art, Nordic heritage, and the 20th-century design canon. Rya rugs — with their distinctive long pile, deep textural vocabulary, and chromatic abstraction — are no longer merely archival textiles. They are now being recontextualized by leading curators, collectors, and architects as fine art pieces, ceremonial heirlooms, and textural interventions in high-design interiors.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Modern Classics
Wool
Afghanistan
2'9" X 8'3" (0.84 m x 2.51 m)
Out of Stock: Made to Order 18‑20 Weeks
Rug & Kilim’s Persian tribal style Horse Pictorial runner in Beige-Brown & Black
"Rug & Kilim is one of our favorite sources when looking for quality handmade rugs. Their team go above and beyond to find &/or make the rugs that fit our clients needs as well as their dreams."
— Becca Ford, Emily Lindberg Design
- Measurements: 2'9" x 8'3" ( 0.84 m x 2.51 m )
- Categories: Modern Classics
- Classification: Classic/Traditional, Pictorial
- Material: Wool
- Origin: Afghanistan
- SKU: 27832
