Wool
France, c. 1950-1959
8'0" X 9'4" (2.44 m x 2.84 m)
Available: Shipping As Soon As Tomorrow
Vintage French Aubusson Carpet with Floral Cartouches & Rose Garlands in Red

Scènes d’intérieur. Aquarelles de la collection Mario Praz et Chigi
By Collectif. — NORMA, 2002
European, French
Preserved in our design reference library. Inquire to visit and use as a resource.
"Josh and his team have supported my interior design work, as well as my personal projects, for over 20 years. Their inimitable combination of creativity, personal attention, professionalism and joie de vivre are irresistible."
— Claire Fleming Peters, Fleming Peters
A standard since our inception upheld across every acquisition,
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45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
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Stories from the European Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The House the European Stuycks Kept: Madrid’s Royal Loom, Goya’s Cartoons, and the Spanish Carpet
There is a building in Madrid, a short walk from the Atocha station, where the same craft has been practiced without interruption for more than three hundred years. Its brick and its Neo-Mudéjar arches were raised in the nineteenth century, but the work carried on inside them belongs to a lineage older still, to 1720, when Philip V, having lost the Flemish tapestry workshops of the Spanish Netherlands to the Peace of Utrecht, resolved that Spain would simply make its own. He summoned a family of Flemish weavers, the Vandergotens, to Madrid, and founded the Real Fábrica de Tapices de Santa Bárbara. Three centuries later, in the presence of the King and Queen of Spain, the factory marked its tercentenary as one of the last places on earth where royal weaving continues by the hand, exactly as it always has.
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The Artists Behind European Tapestry: A Guide to the Names Worth Knowing
There is a persistent misconception about tapestry, and it is worth correcting at the outset: that the weaving is the whole of the art. It is not. Behind every great European tapestry stands an artist, the author of the design from which the weavers worked, and the history of the medium is in large part the history of these figures. To collect tapestry seriously, or simply to understand it well, is to know their names. What follows is a guide to the artists who matter most, arranged as the tradition itself unfolded, from the royal workshops of the old regime to the modern revival that made tapestry, once again, one of the most ambitious art forms in the world.
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Provenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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Rug of the Week IV: Mandaroux’s Le Carnaval — A Mid-Century Aubusson Tapestry in the Age of Postwar Reinvention
NO. 33873 Vintage French Aubusson Mandaroux Tapestry in Green with Pictorial | Rug & Kilim >> When the name Aubusson appears in a conversation among connoisseurs, it evokes an institution: five centuries of tapestry production that has furnished the courts of France, the grand hôtels particuliers of Paris, and the most ambitious interiors of Europe. Yet, the 20th century forced Aubusson into an existential shift. With the Second World War leaving both industry and identity fractured, the ateliers of central France were compelled to modernize. Painters, architects, and designers were invited to collaborate, transforming tapestry from historicist ornament into a modern art form.
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Rug of the Week Series III: Power, Pattern, and Politics in French Needlepoints of the Second Empire
There are objects that decorate, and there are objects that define. This mid-19th century French needlepoint rug—handmade in wool between 1850 and 1860—is firmly of the latter category. At first glance, its medallion-and-floral field, worked in shades of imperial blue, martial red, and softened beige-brown, reads as a refinement of ornament. Yet within its stitches lies the broader cultural program of Napoleon III’s Second Empire, when interiors were designed as orchestrated symbols of hierarchy, order, and political continuity. To understand a textile such as this is to understand the interior not as decoration but as stagecraft: a point where power, domestic life, and aesthetics converged.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
European
Wool
France, c. 1950-1959
8'0" X 9'4" (2.44 m x 2.84 m)
$34,000
Available: Shipping as Soon as Tomorrow
Vintage French Aubusson Carpet with Floral Cartouches & Rose Garlands in Red
"Rug & Kilim is one of our favorite sources when looking for quality handmade rugs. Their team go above and beyond to find &/or make the rugs that fit our clients needs as well as their dreams."
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