Style
Geometric
Every piece in this style, across all of our collections. Narrow them down by size and price.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
Origin ▼
Style ▼
Material ▼
Width
Length
To connect with a specialist, click here
Stories from the Geometric Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
Read the Feature
The Complete Guide to Oushak Rugs: History, Aesthetic Language, and Contemporary Design Use
Oushak rugs, also spelled Uşak or Ushak, stand among the most influential textile traditions in the history of interior design. Originating in western Anatolia, in the historic weaving town of Uşak in present-day Turkey, these carpets are not merely decorative artifacts; they are architectural design elements, cultural documents, and artistic statements that have shaped interior aesthetics across centuries. From Ottoman imperial courts to Renaissance European palaces and today’s luxury residential, hospitality, and gallery spaces, Oushak rugs continue to define a visual language of soft geometry, spacious design, muted tonal harmony, and painterly abstraction. Their enduring relevance places them at the intersection of art history, textile heritage, and contemporary interior design innovation.
Read the Feature
The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
Read the Feature
Navajo Rugs: History, Art, Design & the Legacy of Diné Weaving
Navajo rugs occupy a singular position within the history of American textile art. Woven by decorative tradition. They embody generations of knowledge surrounding sheep, wool, spinning, natural materials, color, geometry, landscape, community, and cultural continuity. simultaneously as cultural expression, design, craftsmanship, and fine art. the familiar geometric vocabulary. It means understanding the history of Diné weaving, the beyond their decorative presence. Our interest lies in the relationship between weaving tradition, material quality, design intelligence, cultural history and architectural application.
Read the Feature
What Makes Tibetan Wool the Gold Standard for Custom Rugs
Every great rug begins long before the loom. It begins on the animal, in the place, in the particular conditions that made the fiber what it is. And among all the wools that have ever been spun into a carpet, few can rival the wool of the Tibetan highlands, a material whose superiority is not a matter of marketing but of altitude, climate, and the unhurried logic of the natural world. The sheep of the Tibetan plateau live at elevations that would defeat most living things, thin air, brutal cold, a growing season measured against a sky closer than it has any right to be. Nature's answer to that severity is the fleece. To survive the plateau, the animal must grow a wool of exceptional density and, crucially, of exceptional lanolin content; the natural oil that coats each fiber, repels water, resists soil, and lends the finished yarn a luster and resilience that lowland wools cannot approach. What is hardship for the animal is a gift to the weaver.
Read the Feature
The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
Read the Feature
