Style
Turkish
Every piece in this style, across all of our collections. Narrow them down by size and price.
- Under 6 x 9
- Runners
- 6 x 9
- 8 x 10
- 9 x 12
- 10 x 14
- 12 x 15
- Over 12 x 15
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Stories from the Turkish Archive
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Complete Guide to Oushak Rugs: History, Aesthetic Language, and Contemporary Design Use
Oushak rugs, also spelled Uşak or Ushak, stand among the most influential textile traditions in the history of interior design. Originating in western Anatolia, in the historic weaving town of Uşak in present-day Turkey, these carpets are not merely decorative artifacts; they are architectural design elements, cultural documents, and artistic statements that have shaped interior aesthetics across centuries. From Ottoman imperial courts to Renaissance European palaces and today’s luxury residential, hospitality, and gallery spaces, Oushak rugs continue to define a visual language of soft geometry, spacious design, muted tonal harmony, and painterly abstraction. Their enduring relevance places them at the intersection of art history, textile heritage, and contemporary interior design innovation.
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The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Zeki Müren and the Carpet as Self-Portrait: The Pasha Who Designed His Own Floor
In the showroom of Hüseyin Kaplan, in the Sultanahmet quarter of Istanbul beneath the minarets of the old city, there are more than five hundred carpets that belong to no classical category. They are not Hereke, not Oushak, not the courtly Ottoman medallion weavings that the connoisseur expects from this geography. They are jewel-toned and abstract, shot through with an abstract confidence, and they bear, some of them, the signed ones, a name woven into the border that any Turk and most serious collectors would recognise instantly. They are the work of Zeki Müren, and they constitute one of the most singular bodies of design the twentieth-century carpet has produced.
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What Are Anatolian Rugs and Kilims? History, Craft, and Significance for Modern Interiors
Hand-knotted in wool, circa 1920-1930, this 3x3 antique Anatolian square rug is a very special piece from Rug & Kilim. Details >> There are few objects in the history of design as quietly eloquent and as insistently enduring as the Anatolian rug or kilim. At once functional textile and living palimpsest, each piece unfolds like a topography—layered with memory, ritual, and geometry—charting the invisible cartographies of empire, migration, and ancestral inheritance. These woven forms are not merely the byproducts of artisanal labor but are instead radical testaments to the entwinement of the spiritual and the material, the domestic and the diplomatic, the feminine and the geopolitical.
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A Guide to Folklore and Cultural Memory in Rugs and Kilims
In collecting rugs and kilims, we encounter not just objects, but vessels of generational memory, where each design reveals itself as a complex cultural manuscript. What emerges from this study of traditional rug-making is not merely a catalog of styles or techniques, but rather an atlas of human cultural memory. These textiles - whether prayer rugs from Anatolia, dowry pieces from Isfahan, or war rugs from Afghanistan - serve as sophisticated vehicles for cultural transmission, preserving what might otherwise be lost to time. The Afghan war rugs present the most profound example of textile resistance in modern history.
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Belkis Balpinar and her Contributions to the Evolution of Modern Turkish Rugs and Kilims – “Art Kilim”
Belkıs Balpınar emphasizes that while many contemporary artists focus on the chaos and issues of the current world, she is drawn to exploring the essence of our being from a more universal perspective. BELKIS BALPINAR UN WEAVE April 26 – June 10, 2018 Istanbul Belkıs Balpınar's latest works are on show at the Anna Laudel Contemporary Gallery in Istanbul’s Karaköy district. Balpınar's fascination with micro and macro worlds is reflected in the names of her pieces, inspired by theoretical physics and experimentation with light. Her exhibition "Un-Weave" at Anna Laudel Contemporary featured new "unwoven parts" alongside a retrospective collection, showcasing her evolution from curator to creative practitioner. Balpınar considers her current work as artwork, emphasizing her transition from floor kilims to wall art.
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