Wool
Persia, c. 1870-1879
18'0" X 20'6" (5.49 m x 6.25 m)
Available: Shipping As Soon As Tomorrow
Oversized Antique 19th Century Zeigler Rug with Mihrab Design - Rug & Kilim
"Rug & Kilim's inventory spans the past four centuries and includes everything from ethnic and tribal patterns to European designs, as well as a host of Art Deco, abstract and understated tone-on-tone offerings, all in a vast array of materials, weaves and sizes."
— Tony Freund, 1stDibs Editorial Director
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 18'0" x 20'6" ( 5.49 m x 6.25 m )
- Categories: Antique
- Classification: Classic/Traditional, Medallion, Open Field
- Material: Wool
- Origin: Persia
- SKU: 34914
Specifications:
Stories from the Antique Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Zeki Müren and the Carpet as Self-Portrait: The Pasha Who Designed His Own Floor
In the showroom of Hüseyin Kaplan, in the Sultanahmet quarter of Istanbul beneath the minarets of the old city, there are more than five hundred carpets that belong to no classical category. They are not Hereke, not Oushak, not the courtly Ottoman medallion weavings that the connoisseur expects from this geography. They are jewel-toned and abstract, shot through with an abstract confidence, and they bear, some of them, the signed ones, a name woven into the border that any Turk and most serious collectors would recognise instantly. They are the work of Zeki Müren, and they constitute one of the most singular bodies of design the twentieth-century carpet has produced.
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What William Morris, Paul Poiret, and the Bauhaus Each Understood About the Rug and What French Art Deco Proved
In the winter of 1883, William Morris stood before a room full of wool merchants, manufacturers, and assorted Victorian worthies in a lecture hall in Birmingham and said something that no one in that room was prepared to hear. The decorative arts, he told them, were not decorative at all. They were the most serious form of human making and their degradation under industrial production was not an aesthetic problem but a civilizational one. He had brought, as he often did, an Oriental carpet to make his point. Then he said, in effect: this is what we have lost the capacity to make, and until we recover it, we have no business calling ourselves a culture.
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How U.S.–Iran Tensions Are Reshaping the World of Fine Rugs: From Safavid Courts to Sanction Regimes
There is a room in the Metropolitan Museum of Art in New York where a sixteenth-century Persian carpet stops people mid-stride. Because something in the object itself; its scale, its silence, the particular authority of a thing that has already outlasted three empires makes the ordinary pace of a museum visit feel suddenly inappropriate. The Emperor's Carpet, as it is known, was commissioned in Safavid Iran, passed to Peter the Great of Russia, gifted to the Habsburg Emperor Leopold I in 1698, held by the Austrian Imperial House until 1921, acquired by the Met in 1941, and displayed publicly only twice in the following sixty years because its condition was too fragile to risk. It has survived more political systems than any collector alive today will ever witness. It knows something about geopolitics that no sanctions framework, no bilateral negotiation, no executive order has yet managed to articulate.
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The Persian Carpet and the Making of Modern Interior: Power, Trade and Redefining Cultural Prestige
Materials from our Books on Persian Rugs. Available at Volumes by Rug & Kilim >> By the late nineteenth century, the Persian carpet had become an essential component of the European interior. Not decorative. Structural. As Qajar Persia expanded trade relationships with Britain, France, and the United States, carpets from Tabriz, Isfahan, Kashan, Kerman, and Sultanabad entered Western markets in unprecedented numbers. This was organized production responding to foreign demand. Workshops adapted scale, palette, and composition for European rooms while maintaining Persian essence. Architecture, Empire, and the Rise of the Cultivated Room The European salon — particularly in Paris and London — required more than furniture and painting. It required cohesion, and Persian carpets provided it.
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A Glossary of Handmade Rugs and Kilims: Understanding Terms, Types and Techniques Past and Present
Referring to the art style characterized by using shape and color withdrawn from traditional repetition or realism. Abstract rugs — sometimes referred to as art rugs — capture an expressive nature that reads as a very modern style, though many abstract rugs draw inspiration from works of the same art style in the mid-century. One of the more widely known mid-century lineages of this style is abstract expressionism, named for the literal "expressionists" of the 1950s. Some of the most notable names behind this style include Jackson Pollock and Mark Rothko. Referring to a lineage of nomadic Persian rugs (sometimes referred to as “Avsar” in the alternate spelling). Afshar rugs hail from the eponymous tribe in the region of Northeastern Iran.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Antique
Wool
Persia, c. 1870-1879
18'0" X 20'6" (5.49 m x 6.25 m)
$160,000
Available: Shipping as Soon as Tomorrow
Oversized Antique 19th Century Zeigler Rug with Mihrab Design - Rug & Kilim
"Rug & Kilim has been a pleasure to work with from the very start of our relationship. Not only is their service outstanding, their inventory of one of a kind vintage rugs is unparalleled."
— Alan Eckstein and Margaret Goddard, Somerset House
- Measurements: 18'0" x 20'6" ( 5.49 m x 6.25 m )
- Categories: Antique
- Classification: Classic/Traditional, Medallion, Open Field
- Material: Wool
- Origin: Persia
- SKU: 34914
