Wool
China, c. 1910-1920
3'1" X 4'11" (0.94 m x 1.50 m)
Available: Shipping As Soon As Tomorrow
Antique Chinese Art Deco Oval Rug with Rising Irises and Lilac Border
"Rug & Kilim has become a go-to for us. The vintage and modern inventory is unlike anywhere else, the team is easy to work with, and the custom program holds up to the same standard."
— Mx Ariel Ashe, Ashe Leandro LLC
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
Stories from the Art Deco Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
Read the Feature
Every Great Collector Owns a Library: On Books, Rugs, and the Knowledge That Connects Them
There has always been a quiet kinship between the rug and the book. Both are objects one lives with rather than merely owns. Both reward the patient return, disclosing more on the tenth encounter than the first. Both are, at their finest, repositories of a civilization's memory; the one held in language, the other in wool. It should surprise no one that the greatest collectors of carpets have almost always been, in the same breath, collectors of the books that explain them. J. Paul Getty kept a scholar's library beside his objects. The Rothschilds, whose carpets now rest in Doha and whose names still move a saleroom, understood a collection as a thing to be studied as much as displayed. To acquire seriously has always meant to read seriously.
Read the Feature
On the Changing Nature of Money, and a Quiet Shift in How the World’s Great Collections Are Built
As seen in Milieu Magazine’s Summer 2025 Issue, designed by Studio Meghan Eisenbergh, features an antique Amritsar rug from Rug & Kilim’s collection.View More >> Something has changed in the psychology of collecting, and it has changed quietly. For most of the modern era, the serious collector acquired for love, for scholarship, for the pleasure of living with beautiful things, and the question of value, while never absent, sat politely in the background. That arrangement has quietly inverted. Across the last two years, industry surveys have recorded a striking figure: the share of high-net-worth collectors intending to sell from their holdings has fallen from more than half to roughly a quarter. The collector of this moment is not looking to liquidate. They are looking to hold. And they are increasingly treating the objects they acquire not as expenditures but as architecture, as a considered, diversified structure of wealth that also happens to be beautiful.
Read the Feature
The Total Art: Vienna’s Century, From the Gold Frieze to the Contemporary Era
In the dining room of a banker's house in Brussels there is a wall of gold. Klimt designed it; the Stoclet Frieze, a tree of life branching across marble and enamel and coral, a dancer on one side and an embracing couple on the other, the couple a direct rehearsal for the painting the whole world would later know as The Kiss. But to stand in that room, were one ever permitted to, is to understand that the frieze is not the point of it. The point is that the frieze, the marble, the cutlery, the door handles, and the carpet underfoot were all conceived as a single object by a single mind. The Palais Stoclet, built by Josef Hoffmann between 1905 and 1911 and now sealed as a UNESCO World Heritage Site, is the most complete surviving statement of the idea that organised an entire Viennese century: the Gesamtkunstwerk, the total work of art, in which nothing; not the spoon, not the dress, not the floor, ranks below the painting on the wall.
Read the Feature
The Rug That Made the Room: Ten Interiors Where the Carpet Was the Only Decision That Mattered
Every serious designer knows the moment. You walk into a room that is not yet finished; the furniture placed but provisional, the walls painted but unconvinced, the light doing its best with what it has been given and something stops you. Not the chandelier. Not the art. The floor. A carpet lies there with the particular authority of an object that has already decided what the room is going to be, and is waiting, with complete patience, for everything else to catch up. The furniture will be chosen in response to it. The color of the walls will be negotiated against it. The art will be hung at a height that the carpet's scale has already determined. The room, in the most literal sense, begins underfoot.
Read the Feature
A Rug & Kilim’s Guide to Rug Patterns in Interior Design: A Study of Persian, European, Scandinavian, Art Deco and Modern Styles
There are rooms - rare, disciplined rooms, where nothing is accidental. A salon overlooking Lake Como, where a 19th-century Aubusson anchors parquet floors beneath frescoed ceilings. A Manhattan interior shaped by the restraint of Peter Marino, where a Scandinavian flatweave holds its ground against glass, steel, and silence. A private riad in Marrakech, where tribal geometry converses effortlessly with shadow, plaster, and time. In such spaces, pattern is not simply chosen. To understand pattern at this level is to move beyond decoration into discipline. Great decorators and architects like Jacques-Émile Ruhlmann, Le Corbusier, and Gio Ponti never treated surfaces as passive. Floors, like walls and ceilings, were compositional fields governed by proportion, rhythm, and intellectual clarity.
Read the Feature






R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Art Deco
Wool
China, c. 1910-1920
3'1" X 4'11" (0.94 m x 1.50 m)
$3,200
Available: Shipping as Soon as Tomorrow
Antique Chinese Art Deco Oval Rug with Rising Irises and Lilac Border
"Working with this family-owned team has been an absolute joy. Their communication, craftsmanship, and flawless execution on our custom rugs consistently exceed expectations."
— Phoebe Howard, James Michael Howard
