Wool
India
11'11" X 15'11" (3.63 m x 4.85 m)
Available: Shipping As Soon As Tomorrow
Rug & Kilim’s Chinese Art Deco rug with Teal Border, Gold Field and Florals
"Rug & Kilim is my go to resource for rugs. Their selection is wide and deep, and Josh’s eye for antique pieces is extraordinary. I always walk away with great pieces, and they are a pleasure to collaborate with. They’ve been my trusted partner on projects for years."
— Ann Wolf, Wolf Holden Design Studio
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
Stories from the Art Deco Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
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Every Great Collector Owns a Library: On Books, Rugs, and the Knowledge That Connects Them
There has always been a quiet kinship between the rug and the book. Both are objects one lives with rather than merely owns. Both reward the patient return, disclosing more on the tenth encounter than the first. Both are, at their finest, repositories of a civilization's memory; the one held in language, the other in wool. It should surprise no one that the greatest collectors of carpets have almost always been, in the same breath, collectors of the books that explain them. J. Paul Getty kept a scholar's library beside his objects. The Rothschilds, whose carpets now rest in Doha and whose names still move a saleroom, understood a collection as a thing to be studied as much as displayed. To acquire seriously has always meant to read seriously.
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On the Changing Nature of Money, and a Quiet Shift in How the World’s Great Collections Are Built
As seen in Milieu Magazine’s Summer 2025 Issue, designed by Studio Meghan Eisenbergh, features an antique Amritsar rug from Rug & Kilim’s collection.View More >> Something has changed in the psychology of collecting, and it has changed quietly. For most of the modern era, the serious collector acquired for love, for scholarship, for the pleasure of living with beautiful things, and the question of value, while never absent, sat politely in the background. That arrangement has quietly inverted. Across the last two years, industry surveys have recorded a striking figure: the share of high-net-worth collectors intending to sell from their holdings has fallen from more than half to roughly a quarter. The collector of this moment is not looking to liquidate. They are looking to hold. And they are increasingly treating the objects they acquire not as expenditures but as architecture, as a considered, diversified structure of wealth that also happens to be beautiful.
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The Total Art: Vienna’s Century, From the Gold Frieze to the Contemporary Era
In the dining room of a banker's house in Brussels there is a wall of gold. Klimt designed it; the Stoclet Frieze, a tree of life branching across marble and enamel and coral, a dancer on one side and an embracing couple on the other, the couple a direct rehearsal for the painting the whole world would later know as The Kiss. But to stand in that room, were one ever permitted to, is to understand that the frieze is not the point of it. The point is that the frieze, the marble, the cutlery, the door handles, and the carpet underfoot were all conceived as a single object by a single mind. The Palais Stoclet, built by Josef Hoffmann between 1905 and 1911 and now sealed as a UNESCO World Heritage Site, is the most complete surviving statement of the idea that organised an entire Viennese century: the Gesamtkunstwerk, the total work of art, in which nothing; not the spoon, not the dress, not the floor, ranks below the painting on the wall.
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The Art of Living with Scandinavian Tapestries
The true beauty of Scandinavian tapestries lies not merely in their aesthetic appeal, but in their capacity to transform ordinary spaces into living museums. After dedicating over four decades to building a definitive collection of Nordic textile art, we've witnessed firsthand how these woven narratives can breathe historical depth into contemporary interiors. The tapestry is not mere decoration—it is a document of cultural memory. This philosophy has guided our acquisition strategy, especially of Märta Måås-Fjetterström's pieces. Her revolutionary approach to textile design in the early 20th century marked a pivotal shift away from the heavy German influences that had dominated Scandinavian textile production.
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A Collector’s Guide to Antique Swedish Rollakan Tapestries
Design is not just what it looks like and feels like. Design is how it works. This sentiment evidently resonates deeply when contemplating Swedish Rollakan tapestries. Their beauty is inseparable from their function, their aesthetics from their purpose. The rollakan (or "rolakan") technique emerged from Sweden's rural traditions, primarily in the southern regions of Skåne and Småland during the 17th and 18th centuries. These flat-woven textiles developed as practical responses to the harsh Nordic winters—dense, durable constructions designed to insulate peasant homes against biting cold. Primarily, what distinguishes the rollakan is its distinctive technique. A flat-weave method where weft threads completely cover the warp, creating reversible textiles with identical patterns on both sides.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Art Deco
Wool
India
11'11" X 15'11" (3.63 m x 4.85 m)
$14,800
Available: Shipping as Soon as Tomorrow
Rug & Kilim’s Chinese Art Deco rug with Teal Border, Gold Field and Florals
"Rug & Kilim's inventory spans the past four centuries and includes everything from ethnic and tribal patterns to European designs, as well as a host of Art Deco, abstract and understated tone-on-tone offerings, all in a vast array of materials, weaves and sizes."
— Tony Freund, 1stDibs Editorial Director
