Wool
France
2'3" X 11'5" (0.69 m x 3.48 m)
Available: Shipping As Soon As Tomorrow
Antique Audran "Mois Grotesques" Gobelins Pictorial Panel Tapestry - Rug & Kilim
"Rug & Kilim has become a go-to for us. The vintage and modern inventory is unlike anywhere else, the team is easy to work with, and the custom program holds up to the same standard."
— Mx Ariel Ashe, Ashe Leandro LLC
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 2'3" x 11'5" ( 0.69 m x 3.48 m )
- Categories: Antique, European, The Jahanshah Collection
- Classification: European, Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: France
- SKU: 34140
Specifications:
Stories from the Antique Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Provenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
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What Makes Tibetan Wool the Gold Standard for Custom Rugs
Every great rug begins long before the loom. It begins on the animal, in the place, in the particular conditions that made the fiber what it is. And among all the wools that have ever been spun into a carpet, few can rival the wool of the Tibetan highlands, a material whose superiority is not a matter of marketing but of altitude, climate, and the unhurried logic of the natural world. The sheep of the Tibetan plateau live at elevations that would defeat most living things, thin air, brutal cold, a growing season measured against a sky closer than it has any right to be. Nature's answer to that severity is the fleece. To survive the plateau, the animal must grow a wool of exceptional density and, crucially, of exceptional lanolin content; the natural oil that coats each fiber, repels water, resists soil, and lends the finished yarn a luster and resilience that lowland wools cannot approach. What is hardship for the animal is a gift to the weaver.
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The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be
In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.
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A Walkthrough of Legacy, Design, and the Art of Understated Luxury with Sina Nazmiyal
Not many people walk away from an early legal victory to begin again. But for Sina Nazmiyal, the triumphs of successful advocacy never stirred his soul the way a single antique carpet could. For as long as he can remember, rugs have been the ground beneath his life—like tapestries underfoot, and figurative threads binding family, memory, and artistry. His fingertips tracing the indigo threads with reverence, you begin to understand: this is no mere inheritance. This is stewardship—shaped by intuition, forged by introspection, and guided by a sensibility that quietly, but unmistakably, redefines luxury in our time.
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Rugs, Tapestries, and the Return of Sacred Interiors: The Fifth Wall of Heirloom Textiles
Enter a collector’s Renaissance salon, where gilded light grazes the shoulder of a Ghirlandaio Madonna and the stillness of a sculpted torso speaks in the silence. Amid this elegance, the floor carries more than weight—it carries narrative. Here lies not just a rug, but a woven fresco, steeped in geometry, texture, and time. It hums like a Savonnerie carpet, blooms like an Aubusson tapestry, and speaks with the visual rhythm of a Raphael altarpiece. At Rug & Kilim, we do not view rugs as mere furnishings. We position them as portable chapels of artistry, loom-born canvases that deserve their place among the highest expressions of fine art. Like the tapestries that once graced European castles and cathedrals, heirloom rugs were once sacred commissions—symbolic, status-laden, and spiritually charged. The time has come to restore their dignity, and to elevate them from décor to design doctrine.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Antique
Wool
France
2'3" X 11'5" (0.69 m x 3.48 m)
Log In to See Price
Available: Shipping as Soon as Tomorrow
Antique Audran "Mois Grotesques" Gobelins Pictorial Panel Tapestry - Rug & Kilim
"Josh and his team have supported my interior design work, as well as my personal projects, for over 20 years. Their inimitable combination of creativity, personal attention, professionalism and joie de vivre are irresistible."
— Claire Fleming Peters, Fleming Peters
- Measurements: 2'3" x 11'5" ( 0.69 m x 3.48 m )
- Categories: Antique, European, The Jahanshah Collection
- Classification: European, Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: France
- SKU: 34140
