Wool
Nepal
8'7" X 11'3" (2.62 m x 3.43 m)
Available: Shipping As Soon As Tomorrow
Rug & Kilim’s “Clouds” Modern Rug Design in Beige-brown with Floral Medallions
"Josh has been able to dredge up some of the rarest and most beautiful carpets for our nerdy and stringent requirements. And we have had a grand time together assembling collections for clients."
— Ralph Harvard, Ralph Harvard Inc.
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
Product Warranty
Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
Trusted Global Delivery
Reliable worldwide delivery handled with care, precision and constant communication.
Exceptional Support
Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
We stand behind every piece we place and remain a resource to our clients for the lifetime of their collection.
- Measurements: 8'7" x 11'3" ( 2.62 m x 3.43 m )
- Categories: Art Deco, Modern
- Classification: Art Deco, Floral, Geometric, Medallion, Modern/Contemporary, Textural/High Low
- Material: Wool
- Origin: Nepal
- SKU: 11777
Specifications:
Stories from the Art Deco Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
Read the Feature
Every Great Collector Owns a Library: On Books, Rugs, and the Knowledge That Connects Them
There has always been a quiet kinship between the rug and the book. Both are objects one lives with rather than merely owns. Both reward the patient return, disclosing more on the tenth encounter than the first. Both are, at their finest, repositories of a civilization's memory; the one held in language, the other in wool. It should surprise no one that the greatest collectors of carpets have almost always been, in the same breath, collectors of the books that explain them. J. Paul Getty kept a scholar's library beside his objects. The Rothschilds, whose carpets now rest in Doha and whose names still move a saleroom, understood a collection as a thing to be studied as much as displayed. To acquire seriously has always meant to read seriously.
Read the Feature
On the Changing Nature of Money, and a Quiet Shift in How the World’s Great Collections Are Built
As seen in Milieu Magazine’s Summer 2025 Issue, designed by Studio Meghan Eisenbergh, features an antique Amritsar rug from Rug & Kilim’s collection.View More >> Something has changed in the psychology of collecting, and it has changed quietly. For most of the modern era, the serious collector acquired for love, for scholarship, for the pleasure of living with beautiful things, and the question of value, while never absent, sat politely in the background. That arrangement has quietly inverted. Across the last two years, industry surveys have recorded a striking figure: the share of high-net-worth collectors intending to sell from their holdings has fallen from more than half to roughly a quarter. The collector of this moment is not looking to liquidate. They are looking to hold. And they are increasingly treating the objects they acquire not as expenditures but as architecture, as a considered, diversified structure of wealth that also happens to be beautiful.
Read the Feature
The Total Art: Vienna’s Century, From the Gold Frieze to the Contemporary Era
In the dining room of a banker's house in Brussels there is a wall of gold. Klimt designed it; the Stoclet Frieze, a tree of life branching across marble and enamel and coral, a dancer on one side and an embracing couple on the other, the couple a direct rehearsal for the painting the whole world would later know as The Kiss. But to stand in that room, were one ever permitted to, is to understand that the frieze is not the point of it. The point is that the frieze, the marble, the cutlery, the door handles, and the carpet underfoot were all conceived as a single object by a single mind. The Palais Stoclet, built by Josef Hoffmann between 1905 and 1911 and now sealed as a UNESCO World Heritage Site, is the most complete surviving statement of the idea that organised an entire Viennese century: the Gesamtkunstwerk, the total work of art, in which nothing; not the spoon, not the dress, not the floor, ranks below the painting on the wall.
Read the Feature
Japandi Style: The East-Meets-West Design as a Fusion of Scandinavian and Japanese Sensibilities
The term "Japandi" is a fusion of Japanese and Scandinavian design sensibilities. This unique multicultural style emerged when Danish designers began venturing to Japan, marking the opening of Japan's closed-border policies after 220 years. It was during this period that their designs began to absorb the allure and mystique of this new, intriguing oriental aesthetic. Denmark and Japan have shared a longstanding and dynamic relationship, encompassing both trade and cultural exchanges. According to Nicolina Olsen-Rule of Design Museum Denmark in Copenhagen, this enduring connection dates back approximately 150 years. This historical interaction between the two nations has undoubtedly contributed to the mutual appreciation and influence observed in design, particularly in the emergence of styles like Japandi, which blends elements from both Scandinavian and Japanese aesthetics. Early manifestations of this design fusion as ‘Less is More’ can be observed in various forms, including ceramic craftsmanship, architectural elements, and Danish furniture.
Read the Feature
A Brief Guide to Zeki Müren Rugs: Our Birthday Commemoration of the Late Artist’s Life and Rare Works
Here, a vintage 3x6 Zeki Müren rug adorns an art gallery design by James Yarosh. Today would be Müren's 91st birthday — he was born Dec. 6, 1931 in Bursa, Turkey, and he passed Sept. 24, 1996 in his Bodrum home. He was an icon to countless, a bold atelier to many like us and an artist like no other to any that know his work as well as we do. Whether you know him as "Sun of Art" or "Model Citizen" or "the David Bowie of Turkey" or Pasha — an affectionate Turkish name for a leader — Müren was a prolific multidisciplinary artist like few of his period, or any for that matter. Of his many accolades in classical music, TV, film and art, Müren was, furthermore, an openly gay man in an Islamic country who regularly challenged gender norms in his performance to such an extent that he remains a figure in Turkey's LGBTQ+ movement today.
Read the Feature









R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Art Deco
Wool
Nepal
8'7" X 11'3" (2.62 m x 3.43 m)
$8,000
Available: Shipping as Soon as Tomorrow
Rug & Kilim’s “Clouds” Modern Rug Design in Beige-brown with Floral Medallions
"Rug & Kilim has been a pleasure to work with from the very start of our relationship. Not only is their service outstanding, their inventory of one of a kind vintage rugs is unparalleled."
— Alan Eckstein and Margaret Goddard, Somerset House
- Measurements: 8'7" x 11'3" ( 2.62 m x 3.43 m )
- Categories: Art Deco, Modern
- Classification: Art Deco, Floral, Geometric, Medallion, Modern/Contemporary, Textural/High Low
- Material: Wool
- Origin: Nepal
- SKU: 11777
