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Kilim & Flat Weave

Wool

NO. 33931

Pakistan

4'11" X 6'1" (1.50 m x 1.85 m)

$3,900

Available: Shipping As Soon As Tomorrow

Rug & Kilim’s Suzani Kilim in Teal with Animal Pictorials and Florals

Made with handwoven wool, this 5x6 Kilim represents an exciting new line of Modern Classics and contemporary flatweaves by Rug & Kilim—a series of designs inspired by antique Suzani Kilims and textiles, among the richest weaving traditions in Central Asian history. On the Design: A teal blue tone underscores a vibrant collection of embroidered tribal pictorials and floral patterns—with a particular emphasis on depictions of owls, alpacas, and other wild animals the keen eye will admire—each enjoying a unique array of bright polychromatic hues, teeming with life and movement. Admirers of the craft will appreciate the unique revival of this technique in an all-wool construction and intricate new texture—a more durable way to recreate these old-world textile designs for use on the floor while still capturing their fabulous, elegant look in the most honorable fashion. Each piece is so unique and deeply personal in its particular details and whimsical beauties that distinguish the style in our craft—as much vibrant works of folk art as they are warm and welcoming choices for the floor and wall-hanging projects alike in their craft and sensibility. Tribal pictorial tapestries such as those that inspired this are rich, collectible glimpses into the lives of their weavers, and the many themes of home and nomadic life speak of this rug’s richness—a truly special piece evoking the beauty of old-world charm and a cultured air alike. Custom Capable: All sizes and colors available—inquire for a quote.

"Josh has been able to dredge up some of the rarest and most beautiful carpets for our nerdy and stringent requirements. And we have had a grand time together assembling collections for clients."

— Ralph Harvard, Ralph Harvard Inc.

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Specifications:

Measurements: 4'11" x 6'1" ( 1.50 m x 1.85 m )
Categories: Kilim & Flat Weave, Modern Classics, Oriental, Tapestry
Classification: Floral, Kilim/Flat Weave, Modern/Contemporary, Pictorial, Tapestry/Textile/Wall Hanging
Material: Wool
Origin: Pakistan
SKU: 33931

From The Journal

Stories from the Kilim & Flat Weave Collection

Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.

September 3, 2026

The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation

Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.

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August 19, 2026

Christian Bérard, Jean-Michel Frank, and the Making of Nelson Rockefeller’s Most Personal Room

In April 1939, the SS Normandie docked in New York Harbor carrying, somewhere in her hold, a rolled carpet. The Normandie was herself the most extravagant object afloat; an emblem of French luxury and design, her marble lounges dressed with Aubusson carpets, signed furniture, and exceptional lighting, a vessel so audaciously beautiful that the New York Times had described her maiden crossing as "the greatest mass of steel and machinery ever to sail the sea." She was also, in April 1939, five months from her last voyage. Germany would invade Poland in September. The Normandie would be seized by the United States Navy, catch fire during conversion to a troopship, and capsize into the Hudson River, taking with her the full weight of the civilization she had been built to represent.

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July 17, 2026

Zeki Müren and the Carpet as Self-Portrait: The Pasha Who Designed His Own Floor

In the showroom of Hüseyin Kaplan, in the Sultanahmet quarter of Istanbul beneath the minarets of the old city, there are more than five hundred carpets that belong to no classical category. They are not Hereke, not Oushak, not the courtly Ottoman medallion weavings that the connoisseur expects from this geography. They are jewel-toned and abstract, shot through with an abstract confidence, and they bear, some of them, the signed ones, a name woven into the border that any Turk and most serious collectors would recognise instantly. They are the work of Zeki Müren, and they constitute one of the most singular bodies of design the twentieth-century carpet has produced.

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May 19, 2026

What William Morris, Paul Poiret, and the Bauhaus Each Understood About the Rug and What French Art Deco Proved

In the winter of 1883, William Morris stood before a room full of wool merchants, manufacturers, and assorted Victorian worthies in a lecture hall in Birmingham and said something that no one in that room was prepared to hear. The decorative arts, he told them, were not decorative at all. They were the most serious form of human making and their degradation under industrial production was not an aesthetic problem but a civilizational one. He had brought, as he often did, an Oriental carpet to make his point. Then he said, in effect: this is what we have lost the capacity to make, and until we recover it, we have no business calling ourselves a culture.

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May 15, 2026

Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be

In the final years of the sixteenth century, the treasury of France was hemorrhaging. Not to war alone though there had been enough of that but to the East. French silver was flowing steadily toward Persia and the Levant in exchange for knotted-pile carpets, objects of such refinement and such authority that no European workshop had yet produced anything capable of competing with them. Henri IV, who had survived the Wars of Religion and the bankruptcy of a kingdom to sit on the French throne, was not a man inclined to accept a problem he could solve. He installed Pierre Dupont — weaver, entrepreneur, and the most technically accomplished carpet-maker in France in the galleries of the Louvre itself, in workshops beneath the palace's own roof, with a single instruction: make something that does not require us to send money to Persia.

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May 4, 2026

From the Rothschild Collection: On Provenance, Collecting, and the Rugs That Outlast Everything

In April 2016, three rugs arrived at Christie's King Street in London that had not been seen in public for over a century. They had not been exhibited. They had not been published. They had not, so far as the scholarly record indicates, been shown to anyone outside the family that owned them since before the First World War. They were Kerman Vase carpets, woven in southeastern Persia in the seventeenth century, acquired by Ferdinand de Rothschild before his death in 1898, passed to his sister Alice, then by descent to her nephew James, and held quietly, privately, with the particular discretion that distinguishes the greatest collections from merely expensive ones for one hundred and eighteen years.

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R&K Image Studio

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The R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.

This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.

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Kilim & Flat Weave

Wool

NO. 33931

Pakistan

4'11" X 6'1" (1.50 m x 1.85 m)

$3,900

Available: Shipping as Soon as Tomorrow

Rug & Kilim’s Suzani Kilim in Teal with Animal Pictorials and Florals

"Working with this family-owned team has been an absolute joy. Their communication, craftsmanship, and flawless execution on our custom rugs consistently exceed expectations."

— Phoebe Howard, James Michael Howard

View in Image StudioNEW

View Similar Tearsheet

Specifications:

Measurements: 4'11" x 6'1" ( 1.50 m x 1.85 m )
Categories: Kilim & Flat Weave, Modern Classics, Oriental, Tapestry
Classification: Floral, Kilim/Flat Weave, Modern/Contemporary, Pictorial, Tapestry/Textile/Wall Hanging
Material: Wool
Origin: Pakistan
SKU: 33931

Inquire About this Piece

Rug & Kilim’s Suzani Kilim in Teal with Animal Pictorials and Florals

45+ Year Old Institution

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Long Term Care

Specifications:

Stories from the Kilim & Flat Weave Collection

The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation

Christian Bérard, Jean-Michel Frank, and the Making of Nelson Rockefeller’s Most Personal Room

Zeki Müren and the Carpet as Self-Portrait: The Pasha Who Designed His Own Floor

What William Morris, Paul Poiret, and the Bauhaus Each Understood About the Rug and What French Art Deco Proved

Savonnerie, Aubusson, Gobelins: The Three Ateliers That Defined What Europe Believed a Rug Could Be

From the Rothschild Collection: On Provenance, Collecting, and the Rugs That Outlast Everything

R&K Image Studio

Rug & Kilim’s Suzani Kilim in Teal with Animal Pictorials and Florals

Specifications:

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