Wool
Israel, c. 1950-1959
3'6" X 6'0" (1.07 m x 1.83 m)
Signed Vintage “Chupa” Tapestry by Yohanan Simon in Blue & Beige - Rug & Kilim








Synnøve Anker Aurdal: Through the Threads
By Lars Bang Larsen and Solveig Øvstebø (eds.) — Mousse Publishing, 2025
Contemporary, Tapestry & Textile
By combining traditional craft techniques and the language of painterly abstraction, Synnøve Anker Aurdal (1908–2000) created a new space for modern textile art. Her works take on an effervescent character by featuring materials such as copper thread, polyester, fiberglass, nylon, chains and synthetic dyes, challenging both aesthetic hierarchies and modernist assumptions about weaving.
Preserved in our design reference library. Inquire to visit and use as a resource.
"Working with this family-owned team has been an absolute joy. Their communication, craftsmanship, and flawless execution on our custom rugs consistently exceed expectations."
— Phoebe Howard, James Michael Howard
A standard since our inception upheld across every acquisition,
transaction, and delivery.
45+ Year Old Institution
More than four decades of expertise and stewardship, under the leadership of our Principal, Jahanshah "Josh" Nazmiyal.
Favorable Return Policy
Our return policy is 48 hours upon receipt allowing you to confirm the purchase in your space with confidence.
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Each rug is hand selected or produced through the most reputable sources under the direct supervision of our Principal.
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Reliable worldwide delivery handled with care, precision and constant communication.
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Attentive, knowledgeable guidance before and after purchase from our dedicated team of specialists.
Long Term Care
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- Measurements: 3'6" x 6'0" ( 1.07 m x 1.83 m )
- Categories: Tapestry
- Classification: Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: Israel
- SKU: 38068
Specifications:
Stories from the Tapestry Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
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The Long Life of a Green: On Celery, Color of the Year, and the Four Centuries of Weaving That Anticipated It
Every year, the color world makes its pronouncement, and every year the design world turns to see what it has been given. For 2027, Sherwin-Williams has named Celery; a light, airy, herbal green with a yellow undertone, chosen, in the company's words, for a moment that prizes wellness, balance, and connection. It is a soft color with a quiet glow and a faint edge; it pairs, its makers note, with white for something breezy, with cranberry red for something playful, with brown for something elevated. It is, by any measure, a beautiful and intelligent choice. It is also a color the great weavers of the world have understood for four hundred years.
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Navajo Rugs: History, Art, Design & the Legacy of Diné Weaving
Navajo rugs occupy a singular position within the history of American textile art. Woven by decorative tradition. They embody generations of knowledge surrounding sheep, wool, spinning, natural materials, color, geometry, landscape, community, and cultural continuity. simultaneously as cultural expression, design, craftsmanship, and fine art. the familiar geometric vocabulary. It means understanding the history of Diné weaving, the beyond their decorative presence. Our interest lies in the relationship between weaving tradition, material quality, design intelligence, cultural history and architectural application.
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What Makes Tibetan Wool the Gold Standard for Custom Rugs
Every great rug begins long before the loom. It begins on the animal, in the place, in the particular conditions that made the fiber what it is. And among all the wools that have ever been spun into a carpet, few can rival the wool of the Tibetan highlands, a material whose superiority is not a matter of marketing but of altitude, climate, and the unhurried logic of the natural world. The sheep of the Tibetan plateau live at elevations that would defeat most living things, thin air, brutal cold, a growing season measured against a sky closer than it has any right to be. Nature's answer to that severity is the fleece. To survive the plateau, the animal must grow a wool of exceptional density and, crucially, of exceptional lanolin content; the natural oil that coats each fiber, repels water, resists soil, and lends the finished yarn a luster and resilience that lowland wools cannot approach. What is hardship for the animal is a gift to the weaver.
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The Evolution of Floral Motifs in Antique Rugs and Kilims: Mapping the Pomegranate, Tulip, and Carnation
Antique 17th Century French Beauvais Tapestry with Floral Vase - Rug & Kilim, NO. 36829 We had a tapestry acquisition unfolding itself in the studio a while ago. Josh and the team just stood there, silently admiring the way the light caught the threads. This was the Antique French Beauvais Tapestry (SKU 36829). It was handwoven in wool, with natural silk accents, circa 1700. When you look at something like that, you do not just see fabric. What you see is the garden of wool and dreams. The precise interlacing of the wefts gives a picture of a gigantic floral vase placed atop an architectural entablature. The botanical imagery is absolutely mesmerizing. There is so much wealth and mystery to it all.
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Rug & Kilim’s Tapestry Artists’ Series: In Dialogue with Elizabeth Chester
There is a particular kind of looking that a great tapestry demands, slower than painting, more physical than sculpture, closer to reading than to seeing. The eye must travel. It must follow the thread, understand the structure, and then, having understood it, surrender to the illusion that the structure has been designed to create. The greatest European tapestries have always operated this way: technically transparent to the scholar and visually overwhelming to everyone else simultaneously. It is the most demanding of the textile arts, and the one that rewards sustained attention most completely.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Tapestry
Wool
Israel, c. 1950-1959
3'6" X 6'0" (1.07 m x 1.83 m)
Price upon request
Signed Vintage “Chupa” Tapestry by Yohanan Simon in Blue & Beige - Rug & Kilim
"Rug & Kilim have been true collaborators in our projects. Their taste, and unmatched knowledge, have led us in unique and unexpected directions - the hallmark of a great partnership"
— Justin Capuco & Brittney Hart
- Measurements: 3'6" x 6'0" ( 1.07 m x 1.83 m )
- Categories: Tapestry
- Classification: Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: Israel
- SKU: 38068
