Wool
Israel, c. 1950-1959
3'6" X 6'0" (1.07 m x 1.83 m)
Signed Vintage “Chupa” Tapestry by Yohanan Simon in Blue & Beige - Rug & Kilim








Synnøve Anker Aurdal: Through the Threads
By Lars Bang Larsen and Solveig Øvstebø (eds.) — Mousse Publishing, 2025
Contemporary, Tapestry & Textile
By combining traditional craft techniques and the language of painterly abstraction, Synnøve Anker Aurdal (1908–2000) created a new space for modern textile art. Her works take on an effervescent character by featuring materials such as copper thread, polyester, fiberglass, nylon, chains and synthetic dyes, challenging both aesthetic hierarchies and modernist assumptions about weaving.
Preserved in our design reference library. Inquire to visit and use as a resource.
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- Measurements: 3'6" x 6'0" ( 1.07 m x 1.83 m )
- Categories: Tapestry
- Classification: Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: Israel
- SKU: 38068
Specifications:
Stories from the Tapestry Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
Signatures, Editions, and the Bolduc on Modern and Rare Tapestries: The Mark of the Masters and Artists
There is a particular pleasure, known to every serious collector, in turning an object over. The front of a great tapestry or carpet is what seduces; the back, and the edges, are what tell the truth. And on the finest modern tapestries, that truth is written in a specific and often misunderstood language, a language of signatures, edition numbers, and a small woven label the French call the bolduc. To read it fluently is to hold the difference between a decorative object and a documented work of art. It is the same literacy that governs the print room and the rare book library, where a collector learns to read a plate mark, a watermark, a colophon. The modern tapestry, elevated to the status of fine art by Jean Lurçat and his circle in the mid-twentieth century, borrowed the apparatus of the fine art edition precisely because it wished to be understood as fine art. To understand the apparatus is to understand the ambition.
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A Guide to Axminster Rugs: History, Craftsmanship, and British Design Heritage
Among the most influential carpet traditions to emerge from Europe, Axminster rugs occupy a distinguished position within the history of decorative arts, architecture, and interior design. Renowned for their exceptional craftsmanship, technical innovation, and artistic sophistication, Axminster carpets represent one of Britain's most important contributions to the global history of textile design. Originating in the historic market town of Axminster in Devon, England, these carpets became synonymous with luxury, refinement, and excellence from the eighteenth century onward. Their influence extended far beyond Britain, shaping carpet production, interior decoration, and architectural furnishing throughout Europe, North America, and the wider world.
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The Art of Bespoke Design by Rug & Kilim: How a Painting, a Fabric, or a Fragment Becomes a Custom Rug
Every custom rug begins with a question that sounds simple and is not: what does this room want to stand on? The answer, in the finest commissions, rarely arrives as a specification. It arrives as an object. A client brings in a painting they have loved for thirty years. A designer adores a length of antique silk, or lays down a sample of a document fabric, or produces a photograph of a fresco glimpsed on a wall in Ravenna. The brief is a feeling, held in another medium, waiting to be carried into wool or silk or sometimes, exotic fibres. This act of carrying is the true art of the custom rug, and it is far older and more serious than the word “custom” suggests. It is translation, in the fullest literary sense: the movement of meaning from one language into another, with everything gained and lost that translation implies. It is also, increasingly, the way the most celebrated interiors in the world are made. When AD100 designer Heidi Caillier needed flatweaves for a coastal retreat, when Fawn Galli reimagined a historic Beaux-Arts townhouse on the Upper West Side, when a Jacques Grange penthouse called for a hand-knotted silk carpet, the floor did not come off a shelf. It was translated into being, object by object, idea by idea.
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Navajo Rugs: History, Art, Design & the Legacy of Diné Weaving
Navajo rugs occupy a singular position within the history of American textile art. Woven by Diné artists across the American Southwest, these textiles represent far more than a regional decorative tradition. They embody generations of knowledge surrounding sheep, wool, spinning, natural materials, color, geometry, landscape, community, and cultural continuity. From nineteenth-century blankets to the celebrated regional rugs of the early twentieth century—and from Two Grey Hills and Ganado to sophisticated contemporary works—Navajo weaving has continually demonstrated the ability of textile art to function simultaneously as cultural expression, design, craftsmanship, and fine art.
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A Guide to Amritsar Rugs: History, Craftsmanship, and Contemporary Luxury Design
Among the most sophisticated carpet traditions to emerge from the Indian subcontinent, Amritsar rugs occupy a unique position at the intersection of Indian craftsmanship, Persian design heritage, and European decorative sensibilities. Woven primarily during the late nineteenth and early twentieth centuries in the historic city of Amritsar in Punjab, these carpets represent one of the most distinctive chapters in the history of global textile art. Unlike the highly formal court carpets of Mughal India or the deeply tribal traditions of nomadic weaving cultures, Amritsar rugs developed their own visual identity. Their character is defined by spacious compositions, softened palettes, oversized motifs, and a remarkable sense of decorative restraint. These qualities have allowed Amritsar carpets to transcend historical classification and remain profoundly relevant within contemporary luxury interiors.
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Agra Rugs in Art, Architecture and Global Design Culture
Among the great weaving traditions of the Indian subcontinent, Agra rugs occupy a distinguished position shaped by Mughal artistic refinement, Persian influence, and centuries of decorative innovation. Originating from the historic city of Agra in northern India—once a major center of the Mughal Empire—these carpets represent one of the most intellectually sophisticated textile traditions within global decorative arts. Unlike purely tribal carpets or highly formal European weavings, Agra rugs synthesize multiple cultural vocabularies into a unified visual language defined by monumental scale, refined ornamentation, and extraordinary compositional balance. Their designs draw from Persian court aesthetics, Islamic geometry, Indian botanical symbolism, and architectural inspirations associated with Mughal palaces and gardens.
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R&K Image Studio
NEWThe R&K Image Studio is a new visual workspace designed to present the Rug & Kilim collection with clarity, restraint, and precision — in your space or any space you imagine.
This tool allows you to view, refine, and prepare imagery drawn directly from the pieces in our archive. They can be visualized cleanly, isolated thoughtfully, and adjusted for presentations, proposals, and private viewings, without altering the integrity of the original work.
Tapestry
Wool
Israel, c. 1950-1959
3'6" X 6'0" (1.07 m x 1.83 m)
Price upon request
Signed Vintage “Chupa” Tapestry by Yohanan Simon in Blue & Beige - Rug & Kilim
"Josh has been able to dredge up some of the rarest and most beautiful carpets for our nerdy and stringent requirements. And we have had a grand time together assembling collections for clients."
— Ralph Harvard, Ralph Harvard Inc.
- Measurements: 3'6" x 6'0" ( 1.07 m x 1.83 m )
- Categories: Tapestry
- Classification: Pictorial, Tapestry/Textile/Wall Hanging
- Material: Wool
- Origin: Israel
- SKU: 38068
