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Vasily Kandinsky: Around the Circle
Tracey Bashkoff and Megan Fontanella. (eds.) Mark Antliff, Patricia Leighten, George E. Lewis.
Available: Shipping As Soon As Tomorrow
Guggenheim Museum, 2021
"Rug & Kilim has been a pleasure to work with from the very start of our relationship. Not only is their service outstanding, their inventory of one of a kind vintage rugs is unparalleled."
— Alan Eckstein and Margaret Goddard, Somerset House
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- Measurements: 0'8" x 0'10" ( 0.22 m x 0.25 m )
- Categories: Art, Volumes
- Classification: European, Modernist (20th Century)
- SKU: B204
Specifications:
Stories from the Volumes Collection
Essays, artist dialogues, and provenance notes drawn from Rug & Kilim’s editorial desk.
A Guide to Bessarabian Rugs: History, Design, and Modern Luxury
Within the world of collectible textiles and luxury interiors, few rug traditions possess the quiet sophistication and painterly elegance of Bessarabian rugs. Emerging from the historic region of Bessarabia—an area historically situated between present-day Moldova, Romania, and Ukraine—these rugs occupy a unique position at the crossroads of Eastern European folk tradition, Ottoman influence, Russian imperial culture, and French decorative aesthetics. Unlike the geometric tribal weavings commonly associated with Central Asia or the medallion-driven structures of Persian carpets, Bessarabian rugs developed a distinctly atmospheric and ornamental visual language. Their floral compositions, subdued tonal harmonies, and expansive decorative fields positioned them closer to European decorative arts than purely utilitarian floor coverings.
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Provenance, Structure, Intelligibility: The Three Pillars of Serious Collecting
Anyone can acquire a rug. To collect one, to bring it into a serious collection with the confidence that it belongs there, requires a discipline, and that discipline rests on three questions. Across four decades of building one of the most significant archives in the country, this house has come to evaluate every object through the same three. They are the difference between buying and collecting, and they are worth setting down plainly, because they apply as readily to a Safavid fragment as to a signed Aubusson, and because they are the same three questions, at bottom, that a curator at the Metropolitan or a specialist at Christie's brings to any object of consequence.
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Every Great Collector Owns a Library: On Books, Rugs, and the Knowledge That Connects Them
There has always been a quiet kinship between the rug and the book. Both are objects one lives with rather than merely owns. Both reward the patient return, disclosing more on the tenth encounter than the first. Both are, at their finest, repositories of a civilization's memory; the one held in language, the other in wool. It should surprise no one that the greatest collectors of carpets have almost always been, in the same breath, collectors of the books that explain them. J. Paul Getty kept a scholar's library beside his objects. The Rothschilds, whose carpets now rest in Doha and whose names still move a saleroom, understood a collection as a thing to be studied as much as displayed. To acquire seriously has always meant to read seriously.
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Christian Bérard, Jean-Michel Frank, and the Making of Nelson Rockefeller’s Most Personal Room
In April 1939, the SS Normandie docked in New York Harbor carrying, somewhere in her hold, a rolled carpet. The Normandie was herself the most extravagant object afloat; an emblem of French luxury and design, her marble lounges dressed with Aubusson carpets, signed furniture, and exceptional lighting, a vessel so audaciously beautiful that the New York Times had described her maiden crossing as "the greatest mass of steel and machinery ever to sail the sea." She was also, in April 1939, five months from her last voyage. Germany would invade Poland in September. The Normandie would be seized by the United States Navy, catch fire during conversion to a troopship, and capsize into the Hudson River, taking with her the full weight of the civilization she had been built to represent.
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Rugs, Books, and the Fine Art of Living with Intention: Rug & Kilim’s Dialogue with Art and Literature
A great house is measured not only by what lies underfoot, but by what rests within reach. At Rug & Kilim, The Royal Collection and Volumes are not parallel endeavors—they are twin expressions of the same language: that art, design, and intellect belong in continuous dialogue. Both are products of patronage, atelier discipline, and an unwavering belief that beauty must be structured. A serious interior does not begin with furniture. It begins with a position. For centuries, the rug has been the most intellectually charged plane in a room—the only surface that holds architecture, painting, mythology, and diplomacy in a single field. Likewise, the book is not décor; it is declaration. It reveals the mind that inhabits the space.
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A Walkthrough of Legacy, Design, and the Art of Understated Luxury with Sina Nazmiyal
Not many people walk away from an early legal victory to begin again. But for Sina Nazmiyal, the triumphs of successful advocacy never stirred his soul the way a single antique carpet could. For as long as he can remember, rugs have been the ground beneath his life—like tapestries underfoot, and figurative threads binding family, memory, and artistry. His fingertips tracing the indigo threads with reverence, you begin to understand: this is no mere inheritance. This is stewardship—shaped by intuition, forged by introspection, and guided by a sensibility that quietly, but unmistakably, redefines luxury in our time.
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Vasily Kandinsky: Around the Circle
Tracey Bashkoff and Megan Fontanella. (eds.) Mark Antliff, Patricia Leighten, George E. Lewis.
$55
Available: Shipping as Soon as Tomorrow
Guggenheim Museum, 2021
"Josh has been able to dredge up some of the rarest and most beautiful carpets for our nerdy and stringent requirements. And we have had a grand time together assembling collections for clients."
— Ralph Harvard, Ralph Harvard Inc.
- Measurements: 0'8" x 0'10" ( 0.22 m x 0.25 m )
- Categories: Art, Volumes
- Classification: European, Modernist (20th Century)
- SKU: B204

