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May 16, 2025

The Quiet Power of Textural: Styling Minimalist Masterpieces in Contemporary Spaces

In the refined language of design, where less is more and silence speaks volumes, textural has emerged as the truest form of luxury.   For over four decades, […]
May 16, 2025

Heirloom on the Wall: Tapestries as Living Art for the Modern Home

Across centuries and civilizations, the tapestry has transcended its utilitarian origins to emerge as one of the most evocative forms of textile art—a confluence of craftsmanship, […]
May 13, 2025

Cyrus Nazmiyal and the Renaissance of Rug & Kilim: Inside the Legacy and Vision

“A rug,” Cyrus Nazmiyal muses, “isn’t merely woven—it’s whispered into being.” We are seated in a quiet, sun-dappled corner of Rug & Kilim’s New York atelier, […]
May 1, 2025

100 Years of Art Deco: The Enduring Desire of Ornament, Opulence, and Order

Modernity was never a rupture—it was a rehearsal. A hundred years on, Art Deco remains the world’s most disciplined dream—a global love affair between ornament and […]
April 29, 2025

Deco Dreams and Contemporary Glamour: How Art Deco Inspires Modern Rug Design

In the golden age of jazz and skyscrapers, art deco design wasn’t merely created — it was celebrated. Lines curved like melodies; colors pulsed like city […]
April 23, 2025

Collectible Persian Rugs with Modern Soul: Tabriz and the Rise of Art Deco Design

Long before the streamlined geometry of the Art Deco movement captured the world’s imagination in the 1920s, a quieter revolution had already unfurled on the looms […]
April 20, 2025

Why We Fell for the Floor: The Soul of Rug & Kilim

— From all of us at Rug & Kilim, where every thread is a gesture of wonder. ~~~
April 14, 2025

Margaretha Reichardt and the Introspective Modernism of Bauhaus Design

Shop Rug & Kilim’s Bauhaus Curation >> ~~~
April 10, 2025

Viola Gråsten and the Rewilding of Scandinavian Rugs and Tapestries

  Viola Gråsten’s flatweaves did not merely complement the Nordic room — they destabilized it. With wild color harmonies and asymmetric abstractions, she injected emotional modernism […]
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